An Invitation to Forgetting
The specter of forgetting has haunted every advance we have made in externalizing our memories.
The specter of forgetting has haunted every advance we have made in externalizing our memories.
Punk’s devotees had a lot invested in how things were turning out; one’s music of choice was a territory to be defended...
John Dower’s Cultures of War avoids the pitfalls of doing history by analogy.
The drifter, unfulfilled desire, misplaced guilt, a greed-ridden culture, street-level perspective — distilled into a coherent, kaleidoscopic whole.
Richard’s amazing new memoir, House of Prayer No. 2, avoids the Old South clichés.
Xiao's powerful memoir of his years at a forced labor camp is written in unflinching, unadorned prose that ably conveys the horrors he witnessed.
Desire and despair smolder fulvous, pungent and sulphuric in Gronk’s black and white.
Like her earlier works, Bad Marie is human, deeply-felt, delightfully well-honed, and though stylized, stops short of quirkiness for quirkiness’ sake.
Aslan's collection makes clear that the Arab Spring of 2011 reflects a century spent grappling with a postcolonial search for identity.
I knew Toth — not all that well, but well enough to realize at a certain point that avoiding contact with him was a positive and healthy lifestyle.
Miller is a classicist; he loves the melodrama of the comics form.
Hagedorn's lean, quick chapters and impressionistic scenes have the effect of sound bytes, and perfectly complement the tone of her world.