The Battle for Love
In a preview of “LARB Quarterly” no. 38: “Earth,” Camila Fabbri considers what forever means, as translated by Robin Myers.
In a preview of “LARB Quarterly” no. 38: “Earth,” Camila Fabbri considers what forever means, as translated by Robin Myers.
In a preview of LARB Quarterly no. 38: Earth, Juliana Spahr explores the end.
Jonathan van Harmelen offers a historical account of the undersung, at times controversial, anti-racist western, John Sturges’s “Bad Day at Black Rock.”
Martin Dolan reviews the video game “The Legend of Zelda: Tears of the Kingdom” as a work of ecofiction.
In a preview of LARB Quarterly, no. 38: Earth, Editor-in-Chief Michelle Chihara explores the opaque world of global finance.
Samuel Tchorek-Bentall explores the career of Marek Edelman, hero of the Warsaw Ghetto Uprising.
Joanna Chen writes about the pleasures of translating work by the late Israeli writer Meir Shalev.
J. D. Connor ponders how AI is transforming the media landscape, the law, and our lives.
W. J. T. Mitchell asks, What kind of intelligence does AI actually represent?
Crispin Sartwell takes us inside a movement that is transforming the discipline—and public reception—of philosophy.
Thomas M. Puhr discusses absence in cinema, specifically art horror, through a philosophical lens and Mark Jenkin’s film “Enys Men.”
Many decades before generative AI, the writer J. M. Coetzee actively engaged with machine voices, says Andrew Dean, and also grappled with the perils of “automatism,” as he called it, the tendency of language to reproduce itself.
Ignacio M. Sánchez Prado explains why humanities scholars need to articulate a more robust defense of their disciplines.
Ed Simon argues for the necessity of a theoretical “People’s History of Theology.”
Addis Goldman and Max Hancock trace the genealogy of Kalshi, a prediction market that trades in a range of futures.
Jonathan Alexander reflects on the interviews he conducted for LARB’s Writing Sex series.