Difficult Love
Jennifer Doyle’s Hold It Against Me explores the difficult. Some difficulty is good for us. And some, it seems, is not.
Jennifer Doyle’s Hold It Against Me explores the difficult. Some difficulty is good for us. And some, it seems, is not.
Rather than simply making the familiar strange, Rita Felski’s "Uses of Literature" often recasts the familiar as wondrous.
In "No Crisis," we hope to show that the art of criticism is flourishing, rich with intellectual power and sustaining beauty, in hard times.
On the cemeteries of Los Angeles.
The story of Robert Joseph Bandler.
On Christopher Isherwood and Henri Coulette.
In story after story, technology stands in as a focus for our fears for our daughters (as well as our desire to control them).
The quantum mechanics of family life
Why were we so hooked?
“Yet when the trauma hero myth is taken as representing the ultimate truth of more than a decade of global aggression, as in it does in American Sniper, we allow the psychological suffering endured by those we sent to kill for us displace and erase the innocents killed in our name. As in Klay’s story, the real victims of American political violence disappear under a load of shit.”
"Penelope Fitzgerald’s story was both permission and company; it was okay if I too had to start late and move slowly as a writer."
'The Fall' pays lip service to feminism, performing it without embracing it.
W. H. Auden’s “September 1, 1939” once again offers not just words of comfort, but clues on how to respond to the Charlie Hebdo attacks.
Ultimately, Orpheus doesn’t lose Eurydice because he fails but because life and death are so profoundly incompatible; the story reminds us of the abyss between them.
When reality catches up to reality TV
The Los Angeles Review of Books' most popular articles from last year.