The People Downstairs
"Being Mortal" draws on the strengths of both the humanities and the sciences to demonstrate one of life's harder lessons: how to really listen to someone and how to ask the right questions in the first place.
"Being Mortal" draws on the strengths of both the humanities and the sciences to demonstrate one of life's harder lessons: how to really listen to someone and how to ask the right questions in the first place.
Ellipsis, the latest exhibit of Pablo Rasgado, revises archives of duration and location and contemplates the ephemeral.
How can a Westerner know what it’s like to be Chinese? Where does cultural heritage end and the universal human experience begin?
In the films of Joshua Oppenheimer, the body never lies. His documentaries examine hard truths that are often stranger and more horrible than any fiction.
Like their counterparts in the West, South Asians are using comics and its superhero genre to challenge cultural norms and construct alternative narratives.
Humanities scholars are getting used to talking about reality again — only it’s not your granddaddy’s reality.
The Gallimard crime fiction imprint, Série Noire, celebrates its 70th anniversary.
Kendrick Lamar's "To Pimp a Butterfly" marks the triumphant revival of the black postmodern epic tradition.
On 'The End of the Tour'
Kipnis, a humorous feminist and feminist humorist, employs irony, sarcasm, satire, and a general sense of levity in her discussions of gender, feminism, and sexuality.
Daniel solomon explores the life and various writings of John McPhee.
Xi Jinping and Modi both understand that the desire for drums and loyalty-parades is buried deep in the hearts of their people
On Doug Sahm's 'Mendocino'
That Sophie Hannah has managed to write a traditional Poirot novel is both the success and failure of this book.
Samuel Delany’s novel Hogg is an affectively disgusting book that lends itself to politically charged and urgent kinds of reading.