John Thomason is a researcher for The Intercept. He lives in New York City.
“I Know Thee Not, Old Man”: Orson Welles and the New Queer Cinema
TEN YEARS after the massive success of Brokeback Mountain, Hollywood films centering on gay characters and themes have become unremarkable. This fall, the release of the gay dramas Stonewall, Freeheld, The Danish Girl, and Carol, all within roughly two months of ...