Don’t Close Your Teeth
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Hannah Smart writes about her attempt to diagram a 900-word sentence in David Foster Wallace’s “Mister Squishy,” and what the efforts taught her about human inertia and meaningless language.
Grant Sharples offers a personal account of the Boss’s career and legacy in light of the new biopic “Springsteen: Deliver Me from Nowhere.”
Nevin Kallepalli investigates political resentment in rural California, in an essay from LARB Quarterly no. 47: “Security.”
Aniko Bodroghkozy considers recent books on the 2017 Charlottesville attack as a watershed moment in contemporary neo-Nazism.
Lana Lin dissects the literary and bodily significance of the appendix.
Rachele Dini discusses OpenAI’s “A Machine-Shaped Hand” and an academic sector in crisis.
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Brendan Boyle writes on the voyages beyond in “Contact” (1997) and “Alambrista!” (1977), in the newest installment of Double Feature, from the LARB Quarterly no. 46: “Alien.”
Vanessa Holyoak explores memory and loss after the L.A. fires, in an essay from LARB Quarterly no. 46: “Alien.”
A. Cerisse Cohen writes about desire in your twenties, in a short story throwback from LARB Quarterly no. 45: “Submission.”
Karoline Huber discusses the phenomenon of “de-extinction” in SF and popular culture.
Ari Braverman writes about a woman exiled to the countryside, in a short story from LARB Quarterly no. 46: “Alien.”
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Leah Umansky offers a treatise on living among nature, in a poem from LARB Quarterly no. 46: “Alien.”
Rickey Laurentiis dissects identity and gender in two poems from LARB Quarterly no. 46: “Alien.”