Chants of the Erotomane: On Wayne Koestenbaum’s “Stubble Archipelago”
Bailey Trela reviews Wayne Koestenbaum’s “Stubble Archipelago.”
Bailey Trela reviews Wayne Koestenbaum’s “Stubble Archipelago.”
In an essay that takes off from Mitch Troutman’s “The Bootleg Coal Rebellion: The Pennsylvania Miners Who Seized an Industry,” native son Jonah Walters finds something entirely too innocent about the tales told about the anthracite industry’s origins.
Emma dePaulo Reid determines whether haircutting, tree trunks, and negated flour chickens were wise beyond their years at the Hammer Museum’s “Only the Young: Experimental Art in Korea, 1960s–1970s” exhibit.
Ian Ellison reviews Katja Haustein’s “Alone with Others: An Essay on Tact in Five Modernist Encounters.”
Jimmy So analyzes what “Oppenheimer” and “Killers of the Flower Moon” have to say about America.
Chloe Xiang reviews Cindy Juyoung Ok’s “Ward Toward.”
Ellen Song looks at Eunice Lau’s documentary “A-Town Boyz” in the context of contemporary Asian American representation.
Courtney Tenz reviews Anna Gazmarian’s “Devout: A Memoir of Doubt.”
Herb Randall reviews Inna Faliks’s “Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage.”
LARB presents an excerpt from Alexandra Tanner’s new novel “Worry.”
Crow Jonah Norlander interviews Rita Bullwinkel about her new novel, “Headshot.”
In Joe Roman’s “Eat, Poop, Die: How Animals Make Our World,” Ferris Jabr finds a compelling account of important scientific insights.
Ali Rıza Taşkale analyzes the way Jonas Eika’s short story collection “After the Sun” critiques speculative finance and offers new ways to imagine the potentials of the future.
Eric Newman and Kate Wolf speak with Brad Gooch about his new biography, “Radiant: The Life and Line of Keith Haring.”
T. M. Brown reviews Tricia Romano’s “The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture.”
Chris Molnar considers what it's like to be a writer today.