The Commonsense Critic: A Personal Tribute to Helen Vendler
Cinque Henderson writes a personal tribute for Helen Vendler.
Cinque Henderson writes a personal tribute for Helen Vendler.
Kenneth Dillon reviews Becca Rothfeld’s “All Things Are Too Small: Essays in Praise of Excess.”
For AAPI month, Rajpreet Heir writes about the creative guidance she’s found in memoirs by AAPI authors.
In an excerpt from LARB Quarterly no. 41, “Truth,” Chloe Martinez presents a new poem about what happened, what could have happened, and why it all matters.
Matt Ray and Matthew Wranovics review Robert W. Cherny’s “San Francisco Reds: Communists in the Bay Area, 1919–1958.”
A. J. Urquidi finds that the Pearl Jam cottage industry is “still alive” and rockin’ in the free world of the Forum.
In an excerpt from LARB Quarterly no. 41, “Truth,” Emily Wells and Aaron Bornstein scrutinize a pair of child geniuses.
Ozempic is a drug against addiction. Is it also a drug for … virtue? wonders political scientist Krzysztof Pelc.
Brittany Menjivar catches a Rave Wave and accepts Grogu’s invite to an exhibition of nerds at the L.A. County Fair.
Isabel Bartholomew reviews Grace Lavery’s “Closures: Heterosexuality and the American Sitcom.”
Michael Szalay on twinned productions and other IP shenanigans in “Anatomy of a Fall,” “Constellation,” and “The Signal.”
Writer and curator Legacy Russell joins Kate Wolf to discuss her new book, “Black Meme,” which theorizes the history of viral images of Blackness in America from the dawn of the 20th century to the present.
Christine Hyung-Oak Lee speaks with Jonathan Alexander about his memoir “Stroke Book: The Diary of a Blindspot.”
Greg Cwik reviews the new compilation of work from writer Harlan Ellison.
Stephanie Schoellman reviews Joshua Comaroff and Ong Ker-Shing’s “Horror in Architecture: The Reanimated Edition.”