Proletarians of the Screen
Helena Aeberli investigates the aesthetics of memes and trash essays in Joanna Walsh’s “Amateurs! How We Built Internet Culture and Why It Matters.”
Helena Aeberli investigates the aesthetics of memes and trash essays in Joanna Walsh’s “Amateurs! How We Built Internet Culture and Why It Matters.”
Justin St. Clair revisits some classics in Jonathan Lethem’s “A Different Kind of Tension: New and Selected Stories.”
Sarah McEachern traces the merging images of Annie Ernaux’s “The Other Girl,” newly translated by Alison L. Strayer.
Melissa Chadburn explores the history of the Llano del Rio Cooperative Colony through the writings of Aldous Huxley.
Harry Stecopoulos explores Ian McEwan’s new novel “What We Can Know.”
Anna Gaca finally understands French, in a preview of LARB Quarterly no. 46: “Alien.”
Robert N. Watson investigates Thomas Chatterton Williams’s “Summer of Our Discontent: The Age of Certainty and the Demise of Discourse.”
Peter B. Kaufman considers Whitney Phillips and Mark Brockway’s “The Shadow Gospel: How Anti-Liberal Demonology Possessed U.S. Religion, Media, and Politics.”
Winnifred Fallers Sullivan reviews Faisal Devji’s “Waning Crescent: The Rise and Fall of Global Islam.”
Jeremy Murray reviews Paul French’s “Destination Macao.”
Dorie Chevlen explores the limits of love in the Prime Video series “The Summer I Turned Pretty.”
Medaya Ocher and Kate Wolf speak to the photographer and writer Sally Mann about her new book, “Art Work: On the Creative Life.”
Alexandre Lefebvre explores Emily Herring’s “Herald of a Restless World: How Henri Bergson Brought Philosophy to the People.”
Aaron Labaree excavates Richard Sharpe Shaver’s “Some Stones Are Ancient Books.”
Katie Berta examines the properties of grief in Prageeta Sharma’s new poetry collection “Onement Won.”
James Ciano interviews Bobby Elliott about his debut poetry collection, “The Same Man.”