Until My People Are Free
Diba Mohtasham speaks with pop star Faegheh Atashin, a.k.a. Googoosh, about her new memoir.
Diba Mohtasham speaks with pop star Faegheh Atashin, a.k.a. Googoosh, about her new memoir.
Janna Jones writes about the history and resonances of ‘Love Tapes,’ Wendy Clarke’s 1980s video project.
Josh Safdie’s “Marty Supreme” and the mythmaking around a monoculture masterpiece.
Jeff Stimmel considers the art and tumultuous life of Chuck Connelly.
In a story from LARB Quarterly no. 47: “Security,” Hannah Liberman’s narrator—who has a “lemon-sized” tumor in her throat—faces a possible cancer diagnosis that forces her to confront her memories, relationships, and losses.
Scott Bradfield interviews S. T. Joshi about the second volume of “The Downfall of God.”
Rowland Bagnall reads the previously uncollected dream songs of John Berryman.
Thomas Waller on Lygia Clark at Neue Nationalgalerie, Berlin.
David Shipko faces down postmodern fascism in the video game “Helldivers 2.”
Isabel Davis considers Amanda Hess’s new book about bringing a baby into a world of smart technology and data harvesting.
Marina Magloire writes on the Clifton House, the Pamoja workshop, revolution, and refuge, in an essay from LARB Quarterly no. 47: “Security.”
Tierney Finster traverses “Flat Earth,” Anika Jade Levy’s debut novel.
Conor Williams sits down with film critic Melissa Anderson to discuss her recent essay collection.
Sophie van Well Groeneveld visits a Wolfgang Tillmans survey, the final exhibition at Centre Pompidou before its renovation.
Whitney Mallett visits a porn shoot in Spain.