At Tammy Wynette’s Grave, Woodlawn Memorial Park, Nashville
Drew Bratcher meditates on the legacy of a country music legend.
Drew Bratcher meditates on the legacy of a country music legend.
Chelsea Davis considers Katherine Dunn’s posthumous story collection ‘Near Flesh.’
Tim Riley listens for the unspoken ironies of Cameron Crowe’s career via his new memoir, ‘The Uncool.’
Vesper North ponders Lisa Alvarez’s new story collection.
We revisit our episode with photographer and writer Sally Mann about her book, "Art Work: On the Creative Life."
Luke Kemp’s ‘Goliath’s Curse: The History and Future of Societal Collapse’ diagnoses civilizational symptoms while sidestepping serious solutions.
Jodie Hollander describes the imprisonment of fame, in a poem from LARB Quarterly no. 47, ‘Security.’
Tess Taylor captures fragments of dream text, blank invitations, and stored receipts, in a poem from LARB Quarterly no. 47, ‘Security.’
Alexis Pauline Gumbs interviews Jason Allen-Paisant about his new memoir.
Anna Journey writes on the ‘site of infernal nerve spark and spasm,’ in a poem from LARB Quarterly no. 47, ‘Security.’
Zachary Gillan reflects on Jeffrey Ford’s ‘Well-Built City Trilogy’ in the era of resurgent fascism.
Dalia Taha writes on Palestine and the messages etched into the land, in two poems from LARB Quarterly no. 47, ‘Security,’ translated by Sara Elkamel.
Harley Wong on fashion designer Dilara Findikoglu’s ‘Cage of Innocence’ presentation in light of Edith Wharton’s fiction.
Rhoni Blankenhorn confronts her changing self, in a poem from LARB Quarterly no. 47, ‘Security.’
Jake Flanagin examines how reality TV juggernaut Bravo and its ‘Real Housewives’ spin criminality into character development—and ratings gold.
Ruth Joffre digs into a new anthology of speculative writing about resistance, edited by Karen Lord, Annalee Newitz, and Malka Older.