Eurovision in Wartime
Lina Abascal reports from the Eurovision Song Contest in Malmö, Sweden.
Lina Abascal reports from the Eurovision Song Contest in Malmö, Sweden.
Mattilda Bernstein Sycamore interviews Stacey D’Erasmo about “The Long Run: A Creative Inquiry.”
Eli Diner witnesses patrons refusing to pay for their own art (why should they?) at the Brick gallery’s Allan Sekula–estate book sale.
Yelena Furman reviews Karolina Krasuska’s “Soviet-Born: The Afterlives of Migration in Jewish American Fiction.”
Jess Libow explores how disabled writers have taken up Frida Kahlo’s image and legacy.
Adam Nayman considers Yorgos Lanthimos’s latest film “Kinds of Kindness” amid the provocateur director’s broader body of work.
Is school choice compatible with a national lesson plan? Johann N. Neem considers a radical new proposal from Ashley Rogers Berner.
Josie Torres Barth reviews Molly A. Schneider’s “Gold Dust on the Air: Television Anthology Drama and Midcentury American Culture.”
Madeline Howard reviews Hannah Regel’s “The Last Sane Woman.”
Madeleine Connors steps into the blockchain to watch the Sparks almost crush the Mystics at Crypto.com Arena.
Kate Wolf speaks with writer and journalist Yasmin Zaher about her debut novel, “The Coin.”
Saree Makdisi writes on the student protests against Israel’s genocide in Gaza.
Allie Rowbottom interviews Cristine Brache about her new collection, “Goodnight Sweet Thing.”
Alexander Billet reviews Dominique Routhier’s “With and Against: The Situationist International in the Age of Automation.”
Jenna N. Hanchey reviews Suyi Davies Okungbowa’s “Lost Ark Dreaming.”
Pallavi Aiyar explores how the youth navigate the precarity of contemporary China in her review of two new books by Alec Ash and Yuan Yang.