The Straight Way Was Lost: Azareen Van der Vliet Oloomi’s “Call Me Zebra”
Azareen Van der Vliet Oloomi’s “Call Me Zebra” threads narrative and theory to depict the isolating experience of exile.
Azareen Van der Vliet Oloomi’s “Call Me Zebra” threads narrative and theory to depict the isolating experience of exile.
Tina McElroy Ansa reviews Tayari Jones's new novel.
Junko Terao's contribution to the Provocations series, in conjunction with UCI’s “Who Do We Think We Are” conference.
The newest member of LARB's Reckless Reader program is Broadway Books in Portland Oregon.
A collaboration between two 20th-century greats.
Kristin Sanders talks about sex, addiction, and technology in her review of Erica Garza’s new memoir, “Getting Off.”
A new book on “network Christianity” might include some clues to the rise of Donald Trump.
Elizabeth W. Son on "comfort women," or survivors of wartime sexual violence, and ways in which others can assist in reparations.
Mariam Rahmani on the pleasures and disappointments of Camille Henrot’s “Days Are Dogs.”
Joy KMT interviews poet Alexis Pauline Gumbs about her new book, "Spill."
The inimitable fictions of the 2017 Nobel laureate.
Colin Marshall reports from Gangneung, the biggest city in Pyeongchang County, where much of the 2018 Winter Olympics will be held.
Mark Trahant's contribution to the Provocations series, in conjunction with UCI’s “Who Do We Think We Are” conference.
On Rebekah Sheldon's "The Child to Come: Life after the Human Catastrophe."
Kitty Lindsay talks to Michelle Cruz Gonzales about "The Spitboy Rule: Tales of a Xicana in a Female Punk Band."
David Horowitz responds to W. J. T. Mitchell's "The Trolls of Academe," and Mitchell offers his own rebuttal to Horowitz's reply.