Handmade Feminism: Irene Lusztig’s “Yours in Sisterhood”
Megan Moodie interviews Irene Lusztig about her new movie, "Yours in Sisterhood."
Megan Moodie interviews Irene Lusztig about her new movie, "Yours in Sisterhood."
"My great-grandfather often was quiet and rarely spoke, if at all, about what he endured. My knowledge of what happened is limited — impossible to verify."
Ryan Holiday discusses his sensational new book "Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of Intrigue."
“The Feather Thief” reminded me of that long list of TV shows about male sub-cultures with their own sub-ethics, from “The Sopranos” through “Breaking Bad.”
Orly Minazad talks to trailblazing Iranian singer Googoosh, on the eve of her historic performance at the Hollywood Bowl.
Andy Fitch interviews Anthony Appiah about his book "As If: Idealization and Ideals."
What does it mean to make nonhuman nature the “overstory”? Can trees carry a novel's narrative, which usually relies on human characters and conflicts?
Jacquelyn Ardam on the ecstasy of detritus in Tommy Pico’s “Junk.”
Toby Miller reflects on his unfortunate experiences in British academia.
Katie Orphan communes with the spirit of Mark Twain in Virginia City, Nevada, where Twain worked for the local newspaper.
Barrie Jean Borich on her new book, returning to Chicago, and why she is drawn to ruin.
In “Isle of Dogs,” Anderson seems to ask what forms, what styles, are commensurate to rage.
How does Robert Wuthnow's "The Left Behind: Decline and Rage in Rural America" differ from other examples of the post-2016 "Reaching-Out Industry"?
Robert Wood interviews Peter Carey, whose most recent novel is "A Long Way from Home."
Bradley Babendir reviews Rebekah Frumkin’s “The Comedown,” a novel full of dramatic irony and striking dissonance.
Nils Gilman offers a penetrating analysis of “Not Enough: Human Rights in an Unequal World” by Samuel Moyn.