Resister in Sanctuary: We Won't Go
Louise Steinman on "WE WON’T GO: The L.A. Resistance, Vietnam and the Draft," at the Central Library’s Getty Gallery until August 19.
Louise Steinman on "WE WON’T GO: The L.A. Resistance, Vietnam and the Draft," at the Central Library’s Getty Gallery until August 19.
Affonso Uchoa's and João Dumans's new film "Araby," shows that the worker's plight crosses time and space from 20th-century Ireland to present-day Brazil.
Josie Mitchell surveys the “autofictional” project of Rachel Cusk, which reaches its end with “Kudos.”
Is the United States’s future going to be more like Wisconsin or California?
Robert Abele remembers the "peculiarly joyous specialty born of eating with Jonathan Gold."
A smart analysis of how foundations and outside money helped turn a left-leaning state to Trump.
Mattie Wyndham reflects on corporeality and freedom from shame at a Maggie Nelson reading of "Something Bright, Then Holes" at Skylight Books.
A senior advisor to Barack Obama opens up about Trump.
A witches’ brew of magic, legend, and tortured faith.
Aminatta Forna's "Happiness" shows us why we must embrace coexistence and how this works in practice.
Thomas Hardy's 1891 novel, "Tess of the D'Urbervilles," offers a useful socio-economic framework for the #MeToo Movement.
Kelly Candaele, himself an identical twin, on the documentary "Three Identical Strangers."
Vera Koshkina and Ainsley Morse present “Film — Word — Music,” a 1924 essay on film by the great Formalist theorist Yuri Tynianov.
Philip Ó Ceallaigh unravels the complicated relationship, in life and fiction, between Saul Bellow and Mircea Eliade.
Maria Rybakova reviews Mircea Eliade's early novel "Gaudeamus," recently translated by Christopher Bartholomew and released by Istros Books.
Michael Kurcfeld visits the international photography festival Rencontres D'Arles 2018, and sees it through the bleak lens of the modern cultural zeitgeist.