A Face in the Cloud
Peter Gadol discusses how he found a face in the cloud between social media's endless stream of photos of strangers.
Peter Gadol discusses how he found a face in the cloud between social media's endless stream of photos of strangers.
Will Brewbaker is transfixed by “Southern Tongues Leave Us Shining,” the latest collection from poet Mark Wagenaar.
Tom Christie presents his four-year correspondence with Paul Bowles.
In “Taking Back Philosophy: A Multicultural Manifesto,” Bryan W. Van Norden calls on philosophers to expand their intellectual horizons.
Jon Wiener examines the Avital Ronell scandal, and questions some of Avital's defenders about how their opinions have changed.
Debra Granik's new film, "Leave No Trace" reframes the classic castaway story as a competing desire to belong to and to leave modern society.
Stephen Komarnyckyj explores the rich and fragile tradition of Ukrainian literature from Crimea.
Yuliya Komska interviews Tetiana Savchynska, the Ukrainian translator of Kazuo Ishiguro and John Le Carré, about the language in war and literature.
Jill Talbot talks with Paula McLain about Martha Gellhorn’s legacy, defending Hemingway, and “the empathetic imagination” in historical fiction.
Aaron Winslow reviews the collection "Russian Cosmism," edited by Boris Groys.
Hillary Chute's "Why Comics?" provide a counternarrative to the corporate history of mainstream comics.
An interview with the designer of “The Baby-Sitters Club” novels.
Amy Carleton describes how Jami Attenberg created a positive online community with #1000WordsofSummer.
Anne Tyler’s “Clock Dance” explores a woman’s desperate desire to remain useful, even indispensable, as she ages.
Reflections on queer punk art and performance.