2+2=5: On the White Sea-Baltic Canal and Totalitarian Pipe Dreams
Maya Vinokour considers dictatorial “gigantomania,” from Stalin’s White Sea-Baltic Canal to Trump’s THE WALL.
Maya Vinokour considers dictatorial “gigantomania,” from Stalin’s White Sea-Baltic Canal to Trump’s THE WALL.
Amy Carleton shares her love for the outdoor shower.
"Once a week I travel to the Tarkumia checkpoint that divides the West Bank from Israel, to volunteer with The Road to Recovery."
Ashley Valanzola appraises “Objects of War: The Material Culture of Conflict and Displacement,” edited by Leora Auslander and Tara E. Zahra.
A side-by-side reading of a French philosopher and a pair of American political scientists.
"How effective are Islamic states at satisfying the religious needs of their citizens?" Nile Green on "The Iranian Metaphysicals."
Juan Vidal, author of "Rap Dad," discusses how writing his memoir helped him re-connect with his long-lost sister.
Kelly Candaele reflects on the results of the Swedish general elections.
Mike Broida finds danger in Juan Gabriel Vásquez’s exploration of the conspiracies that shaped Colombia in his new novel, “The Shape of the Ruins.”
Sean Carswell looks into James M. Cain and his time reporting on the West Virginia Mine Wars.
Alyssa Loh explores a critique of the attention economy from ex-Google strategist James Williams.
Nathan Scott McNamara reviews Virginie Despentes's "Pretty Things," translated by Emma Ramadan.
Gabino Iglesias talks to David Joy about his new book, "The Line That Held Us."
For Callum Angus, Guadalupe Nettel’s mission in her newly translated novel After the Winter is “deeply personal and recognizably urgent.”
A discussion of a new collection of essays by immigrant writers.
Nichole LeFebvre reviews Sarah Weinman's haunting work of nonficiton, "The Real Lolita."