Wageless Life
In "Hinterland," Phil A. Neel examines the deepening of wageless life, social despair, and the state’s decreasing capacity to manage increasing needs.
In "Hinterland," Phil A. Neel examines the deepening of wageless life, social despair, and the state’s decreasing capacity to manage increasing needs.
Steven Wingate interviews Leif Enger about his new book, "Virgil Wander."
In "What’s Left of the Night," Ersi Sotiropoulos excavates the origin of this irony in the early years of C. P. Cavafy’s poetic awakening.
My L.A. in Four Locations is a running feature. This week, David Wolpe takes us on a rabbi’s journey.
The value of "Toward Fewer Images" is its ability to unravel and disclose the conceptual richness of Alexander Kluge’s oeuvre.
Director Matt Tyrnauer’s recent documentaries "Scotty and the Secret History of Hollywood" and "Studio 54" capture sexual utopias before the dawn of the HIV/AIDS epidemic.
Samuel Huneke reviews Dan Healey’s “Russian Homophobia from Stalin to Sochi,” a look at the development of homophobia as a political strategy in Russia.
Andy Fitch talks with Cambridge University Professor David Runciman about the future of liberal democracy.
Stephanie Burt interviews Chelsey Johnson about her new novel, “Stray City.”
Donald Trump’s reputation as a salesman conceals a secret: he's terrible at the art of persuasion.
Dear TV, not sane, stood by itself against its hills, holding darkness within
Jim Sleeper considers the commercial and legal underpinnings of “hate speech.”
Anthony Immergluck reviews "Fish Boy," a recent poetry collection by John Gosslee.
Stephen Batchelor’s new book, "Secular Buddhism," continues his reimagination of Buddhism for new times and places.
Los Angeles poets on the city they love.
Skye C. Cleary talks with Sue Prideaux about her latest biography, "I Am Dynamite!: A Life of Nietzsche."