Menace and Malice: On Dorothy B. Hughes’s Debut, “The So Blue Marble”
On “The So Blue Marble” by noir grand master Dorothy B. Hughes.
On “The So Blue Marble” by noir grand master Dorothy B. Hughes.
We’re looking back at some of the pieces we’re proud to have published this year. Here is a list curated around some recurring threads in our work.
Tara Cheesman reviews “Seventeen” by Hideo Yokoyama.
Writing about climate change involves talking to the marginalized people most affected.
On Jonathan Ames, from "City Slicker" to "You Were Never Really Here."
Srećko Horvat writes an admiring letter to Alfonso Cuarón, writer and director of the film "Roma."
Liam Heneghan on the recent release of Tolkien's book The Father Christmas Letters.
Jeff J. Williams talks to Bruce Robbins about George Orwell, the Sokal hoax, and his recent book, “The Beneficiary.”
Jeff Biggers new book looks at the long history of resistance and protest in America.
Charles Halton reviews two new books that challenge the first hundred days of the Trump administration in very different ways.
Colin Marshall considers gender performance and androgyny, and the Korean Instagram account The Social Uniforms Project.
Grace Hadland considers the meaning of accumulation in Zoe Leonard's recent exhibition "Survey" at the Museum of Contemporary Art.
Alexis Clements reviews Esther Newton’s “My Butch Career,” a memoir of the early life and career of an important pioneer in the field of LGBTQ Studies.
Katie Da Cunha Lewin reviews Ben Marcus's new short story collection.
Will Compernolle reviews Tyler Cowen's "Stubborn Attachments," in which Cowen argues for economic growth as a moral principle.