Identity Across the Diaspora: A Conversation with Wayétu Moore
A Liberian-American novelist discusses pan-Africanism and the power of black bodies.
A Liberian-American novelist discusses pan-Africanism and the power of black bodies.
The long and complex relationship between fantastic fiction and rock music.
Grady Hendrix’s “We Sold Our Souls” pokes subtle fun at heavy metal and its self-seriousness, but also embraces that seriousness as a platform for critique.
Lewis Page reviews the new PBS documentary, "Rodents of Unusual Size," about the invasive nutria species of Louisiana.
"Roma" is a movie made to appease the ruling class: fawning in its praise of power, it dead-ends at an image that literally deifies servitude.
A book predicting the imminent threat to American civilization from its own universities is only the latest rewrite of an old falsehood.
On “Forever and a Day,” the new James Bond novel by Anthony Horowitz.
Susan Curtis remembers author, journalist, and literary critic Eileen Battersby, who died on December 23 at the age of 60.
David Biale studies “The Chosen Wars: How Judaism Became an American Religion” by Steven R. Weisman.
Kieran Setiya considers “Why Iris Murdoch Matters” by Gary Browning.
Brad Evans speaks with Columbia University professor of sociology Saskia Sassen. A conversation in Brad Evans’s "Histories of Violence" series.
Sharon Kunde challenges Roy Scranton’s fatalist view of climate change.
The author of “American Fix” on the opioid crisis and how to solve it.
Aaron Poochigian’s version of “Bacchae” is colloquial enough to be clear, but not too clear: if it weren’t a bit odd, it wouldn’t be Euripides.
Colin Marshall on Kim Sagwa's novel "Mina (미나)," newly out in English translation by Bruce and Ju-Chan Fulton.
Ann Murray looks at “Postcards from the Trenches: A German Soldier’s Testimony of the Great War” by Irene Guenther.