A Wilderness I Wouldn’t Live Without: On Carl Phillips’s “Wild Is the Wind”
Rachel Richardson reviews “Wild Is the Wind” by Carl Phillips.
Rachel Richardson reviews “Wild Is the Wind” by Carl Phillips.
A Pulitzer Prize–winning poet reflects on sincerity, mortality, the buffoonery of Trump, and dogs as comic relief.
Tahneer Oksman talks to Julie Doucet about her new collection, "Dirty Plotte: The Complete Julie Doucet."
Robert Wood interviews Sisonke Msimang about her book "Always Another Country."
M. Buna speaks to Jessica Hoffmann and Daria Yudacufski, co-editors of “make/shift” magazine and of “Feminisms in Motion.”
Michael Ursell talks with author Micah Perks about the longing for escape, utopian visions, and the celebration of celery.
Oscar season is upon us and our fearless co-hosts Eric Newman, Medaya Ocher, and Kate Wolf bravely tender their predictions and preferences in a range of categories.
Seth Greenland responds to “Dear Zealots,” a call for peace by the late Israeli novelist Amos Oz.
Andy Fitch talks to Galia García Palafox about the long post-election wait for Andrés Manuel López Obrador to enter Mexico’s presidential office.
A great flamenco artist explores the Afro-Caribbean roots of his art.
Robert Zaretsky looks at the illuminating “City of Light: The Making of Modern Paris” by Rupert Christiansen.
A new memoir about how to sustain relationships with others, the planet, and ourselves.
Sam Hall Kaplan surveys the revitalized "An Architectural Guidebook to Los Angeles" from Angel City Press.
A new novel brings a character to the brink of personal disaster in Kashmir.
Christopher Spaide considers Evie Shockley’s “semiautomatic” and Ange Mlinko’s “Distant Mandate.”
Stephanie Sy-Quia reviews “In Extremis: The Life and Death of the War Correspondent Marie Colvin” by Lindsey Hilsum.