"It’s all a big joke": Sarah Lucas's Au Naturel at the Hammer Museum
Natasha Boyd reviews the "Au Naturel" retrospective exhibition of Sarah Lucas at the Hammer Museum.
Natasha Boyd reviews the "Au Naturel" retrospective exhibition of Sarah Lucas at the Hammer Museum.
Joseph Giovannini writes on President Trump's 2019 Independence Day speech and parade on the National Mall.
Lida Maxwell reviews Astra Taylor's “Democracy May Not Exist, but We’ll Miss It When It’s Gone.”
Kevin O’Leary reviews Adam Morris's "American Messiahs: False Prophets of a Damned Nation."
Abby Walthausen rides with “Hunting Party” by Agnès Desarthe, translated from the French by Christiana Hills.
Andy Fitch talks with Jeffrey D. Sachs about sustainable development and American exceptionalism.
Kieran Setiya takes a serious look at “Humour” by Terry Eagleton.
Philip Alcabes makes sense of "Mind Fixers" by Anne Harrington.
Anya Ventura revisits "Crabcakes," the 1998 memoir by the late James Alan McPherson.
Robert Wood talks with Charles Bernstein about poetics, coinages, and the necessity of lingual disobedience.
Freudenberger is excellent in her account of female friendships: the intensity with which they form in youth and the reshaping they undergo in middle age.
Claude Parent’s designs were decades ahead of their time.
Peter Forbes reviews "Hacking the Code of Life" by Nessa Carey and "Hacking Darwin" by Jamie Metzl.
Emma Goldberg talks to T Kira Madden, Roxane Gay, Michele Filgate, and Leslie Jamison about the pitfalls of telling it all.
Alex Harvey revisits Lindsay Anderson’s groundbreaking film “if....” 50 years after its premiere.
Leslie Kendall Dye tends to "The Scar," a new memoir by Mary Cregan.