Johnson and Company
Leo Damrosch’s new book paints a vivid portrait of the 18th-century “Literary Club.”
Leo Damrosch’s new book paints a vivid portrait of the 18th-century “Literary Club.”
Jill Schary Robinson reviews Jo Giese’s new memoir about the lessons her mother taught her.
In the age of Trump, Americans have conveniently forgotten their long history of white supremacist violence.
Carolyn Taratko reviews two new books on the postwar origins of “the Environment.”
Natasha Boyd reviews the Mary Corse exhibition "A Survey in Light" at LACMA, on display now until November 11, 2019.
Tara Cheesman reviews “The Sentence Is Death” by Anthony Horowitz.
Dinah Lenney speaks to JoeAnn Hart, author of “Stamford ’76: A True Story of Murder, Corruption, Race, and Feminism in the 1970s.”
Sally Rooney is trying to tell us something. Politics are in the forefront, but I’m guessing there is a dark secret lurking in the background.
Sophia Stewart discovers quotidian magic in O'Hara's poetry.
Victoria Baena examines two recently reissued novels by Natalia Ginzburg: "The Dry Heart" and "Happiness, as Such."
Louis Rolsky reviews Reece Peck’s “Fox Populism,” which considers the intersections between conservatism, populism, and mass media.
Peter Pomerantsev, author of “This Is Not Propaganda: Adventures in the War Against Reality,” looks at the new normal in the era of Putin and Trump.
Annie Berke examines “Late Night” in the contexts of writer-star Mindy Kaling’s public persona and the history of the woman in the writers’ room.
Joanna Chen sees some classic rock legends in Hyde Park, London.
Christian Fuchs reviews "The Terror of the Unforeseen," a new book by Henry A. Giroux.
Gabriel Nicholas interrogates “The End of Killing” by Rick Smith and “Thin Blue Lie: The Failure of High-Tech Policing” by Matt Stroud.