A Nation of Nations Must Still Be a Nation: On Nationalism, Globalization, and Writing History
Jill Lepore’s book argues for a shared national history, but fails to explain what that history looks like.
Jill Lepore’s book argues for a shared national history, but fails to explain what that history looks like.
Andy Fitch talks with Demetra Kasimis about often-overlooked notions of inclusion in ancient Athenian democracy.
Key indigenous allies of the U.S. during the Vietnam War were treated shamefully after the withdrawal by both the United States and communist Vietnam.
The werewolf was an apt figure for 1981, a moment when prominent commentators worried that many Americans had become too self-focused.
Nathan Scott McNamara reads "The Remainder" by Alia Trabucco Zerán, out now in a translation from Sophie Hughes.
Bailey Trela looks at Hito Steyerl’s installation "Drill" at the Park Avenue Armory.
Ronald Collins celebrates the publication of “Venice Saved,” a play by Simone Weil, translated by Silvia Panizza and Philip Wilson.
Mark Trecka looks at Nick Estes's "Our History Is the Future" and Anthony McCann's "Shadowlands" to see where protest is going.
Robert Chandler celebrates the publication of “Teffi: A Life of Letters and of Laughter” by Edythe Haber.
Asif Siddiqi reviews Roger D. Launius's "Apollo’s Legacy" and Teasel E. Muir-Harmony's "Apollo to the Moon."
Alessandro Camon on what is at stake for Hollywood writers.
Sara Ono reports on the tempestuous upcoming Argentine election.
Allen Mendenhall reviews Stephen Budiansky's new biography of Oliver Wendell Holmes.
"A Stranger’s Pose" refuses any linear kind of development, a refusal with a political charge given how often the continent is tagged as “developing.”
Geoffrey Kirsch reviews "Oliver Wendell Holmes: A Life in War, Law, and Ideas" by Stephen Budiansky.
Jacob Kahn from Wolfman Books debuts an excerpt of the forthcoming "Blackfishing the IUD" by Caren Beilin.