Lacy Johnson’s Quality of Mercy
A new collection of essays on the nuanced meanings of justice in the 21st century.
A new collection of essays on the nuanced meanings of justice in the 21st century.
A celebrated Greek poet limns the beauty and inventiveness of Los Angeles’s Skid Row.
Heather Altfeld listens to the voices in “Last Witnesses: An Oral History of the Children of World War II” by Svetlana Alexievich.
Nathan Scott McNamara talks with Darcie Dennigan about Rhode Island roots and toxic legacies.
Sana Goyal reviews Tope Folarin’s debut novel, “A Particular Kind of Black Man.”
Dylan Brown reads through “Reading Through the Night” by literary critic Jane Tompkins.
Otis Houston reviews Chuck Klosterman’s “Raised in Captivity” and talks to Klosterman about social change and its discomforts.
Colin Marshall looks at a Korean linguistic game show and fascination with language perfectionism and pride in Korea.
Linda Roland Danil investigates "The Invisible Killer" by Gary Fuller.
Human Rights Watch researcher Jonathan Pedneault discusses his time in Tijuana, Mexico, at the US Border.
Jeffrey Andrew Weinstock is haunted by "American Monsters Part I," a new anthology edited by Margrét Helgadóttir.
Emily Anne Foster and Christian Lewis perform a “simple surgery” exercise on Dickens' "Bleak House," reading exclusively the Esther-narrated portions.
Caroline Winterer makes her way through “The Crowded Hour: Theodore Roosevelt, the Rough Riders, and the Dawn of the American Century” by Clay Risen.
Lynne Feeley reviews "The Ecocentrists," a history of radical environmentalism by Keith Makoto Woodhouse.
Dear Television's Sarah Mesle considers Emily Nussbaum as a feminist critic and a chronicler of the televisual cult of seriousness.