The Astonishing and Multiple Achievements of Alice Guy-Blaché
Sarah Gleeson-White reviews a new documentary about a female cinematic pioneer.
Sarah Gleeson-White reviews a new documentary about a female cinematic pioneer.
The author of “The California Field Atlas” talks about the logic of climate breakdown, the inevitability of extinction, and why he remains hopeful.
Nathan Scott McNamara reviews Johannes Anyuru's "They Will Drown in Their Mothers’ Tears," translated by Saskia Vogel.
Ilan Stavans provides his opening essay for the "My America" itinerant exhibition of American Writers Museum.
Melissa Holbrook Pierson reviews Steven Price's new novel, "Lampedusa."
Tom Roberge peers into the dark world of French noir author Jean-Patrick Manchette.
Tom Lutz talks to Dave Eggers about his allegorical satire, “The Captain and the Glory.”
Andy Fitch talks with Rebecca LeMoine about philosophical stings and her book "Plato's Caves."
Hannah Williams talks with Vigdis Hjorth about her novel, “Will and Testament,” out now from Verso Fiction in a translation by Charlotte Barslund.
Matt E. Lewis reviews “Vincent and Alice and Alice” by Shane Jones.
A former dean of Yale Law School opines on the purported pitfalls of “diversity” in higher education.
Itamar Mann discusses the increasing need for mental health support for asylum seekers and refugees in light of an award for activist-lawyer Maria Jammal.
Elizabeth Horkley delves into the filmmaking and curatorial work of Eileen Myles, most recently in their double bill program at the Metrograph Theatre.
Andrew Duncan Waddell appreciates “Socialist Realism” by Trisha Low, which shows us the difficulty of “struggling correctly.”
Sam Gee reviews a recent biography of Martin Buber, as well as the recent republication of Buber's "Daniel: Dialogues on Realization."