“Every so often I hold my breath and hope:” Julia Sanches on Literary Translation and the Translators Collective Cedilla & Co.
Nathan Scott McNamara talks with Julia Sanches about life as a translator and the translators collective Cedilla & Co.
Nathan Scott McNamara talks with Julia Sanches about life as a translator and the translators collective Cedilla & Co.
Ilya Vinitsky follows a spurious Dostoyevsky quote into the American house of the dead.
Amanda Yates Garcia on being a witch in the current political climate
A new book about why free speech matters, even when it hurts.
Brad Evans speaks with Ana Lucia Araujo, author of “Reparations for Slavery and the Slave Trade.” A conversation in the “Histories of Violence” series.
Rachel Mesch dives into the history of pronoun preference and resistance to it.
Sarah Nielson breaks down some of the discussions going on among LGBTQ writers at the PDX Book Festival in November, as well as some recommendations.
Alice Blackhurst looks at "Portrait of a Lady on Fire," the latest film from Céline Sciamma.
Erik Gray reviews "Love: A New Understanding of an Ancient Emotion" by Simon May.
Kristina Marie Darling constellates Irigaray's "This Sex Which Is Not One," Cohen’s "I Was Not Born," and Hoke’s "The Book of Endless Sleepovers."
Bill V. Mullen reads "The Fire Is upon Us: James Baldwin, William F. Buckley, Jr. and the Debate Over Race in America" by Nicholas Buccola.
Vadim Shneyder disentangles “A Double Life,” an important 19th-century novel by Karolina Pavlova, translated by Barbara Heldt.
A Somalian refugee’s story of hardship, captivity, and endurance in Libya, as shared with Human Rights Watch.
A.M. Juster stands up for the forgotten ancestry of poet William Jay Smith.
With movie credits, what you see is not always what you get.
Myra Bloom talks to Sina Queyras about “My Ariel.”