:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fthe%20unsignificant.jpg)
Significant World
Valerie Duff-Strautmann reviews Srikanth Reddy’s “The Unsignificant.”
Archive
Andrea Long Chu’s “Authority”
Eric Newman and Medaya Ocher speak with Andrea Long Chu about “Authority,” a collection of previously published and new essays and criticism.
Step Right Up and See This Ghastly Town
Cory Oldweiler reviews Ecuadoran author Natalia García Freire’s new novel, “The Carnival of Atrocities,” translated by Victor Meadowcroft.
They Really Love Their Twee Life in Berlin
Aaron Labaree reviews Vincenzo Latronico’s novel “Perfection,” translated by Sophie Hughes.
What Can Enlightened Coders Really Do?
Evan Selinger reads Darryl Campbell’s “Fatal Abstraction: Why the Managerial Class Loses Control of Software” with the realities his students face in mind.
The Man Who Believed He Could Have Raised Hitler to Be a Nice Person
Åsmund Borgen Gjerde excavates the link between Ole Ivar Lovaas’s Nazi past and his UCLA-based work on “curing” autistic children.
The Heir Conditioner
The LARB Quarterly, issue no. 44, “Pressure,” presents an excerpt from Hannah Zeavin’s “Mother Media.”
To the Bottom of the Unknown to Discover the New
Ronjaunee Chatterjee speaks with Nathan Brown about his new translation of Charles Baudelaire’s “The Flowers of Evil.”
Reservation Politics
Sarah McEachern reviews Jon Hickey’s debut novel “Big Chief.”
Of Quirks and Quarks
Heather Treseler reviews John Koethe’s new collection “Cemeteries and Galaxies.”
Criticism as Apologetics
Grace Byron interviews Andrea Long Chu about her new book, “Authority.”
The Unsettled Self
Grace Linden reviews Katie Kitamura’s “Audition”
Whose Voices Are These?
Leland de la Durantaye considers art, abstraction, and violence in Rachel Cusk’s “Parade.”
Annoy Me to Death
Wade Newhouse considers Camilla Bruce’s new horror novel “At the Bottom of the Garden.”
Toward an Aesthetic of Post-Boomer Fiction
Zach Gibson reviews Adam Kelly’s “New Sincerity: American Fiction in the Neoliberal Age.”
Mafalda
The LARB Quarterly presents an excerpt from Quino’s “Mafalda,” translated by Frank Wynne, in issue no. 44, “Pressure.”
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FRH_Long%20Chu.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FCarnival%20of%20Atrocities.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fperfection%20crop%203.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FFatal-Abstraction.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FPhantomChaserO.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FMother%20Media-1.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FNathan%20Brown%20-%20bw-1.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FBig%20Chief.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2Fcemeteries%20and%20galaxies%20crop.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FAndreaLongChu070924_116c2bwBeowulfSheehan-1.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FAudition%20Katie%20Kitamura.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FParade.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FAt%20the%20Bottom%20of%20the%20Garden.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FNew%20Sincerity%20American%20Fiction%20in%20the%20Neoliberal%20Age.jpg)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2FMafalda_feature.jpg)