Under the Table
Sam Bodrojan considers “Anora” and the emasculated sadism of Sean Baker.
Sam Bodrojan considers “Anora” and the emasculated sadism of Sean Baker.
In a special dispatch from NYC, Brittany Menjivar is but a walking shadow in the background of immersive “Macbeth” production “Sleep No More.”
Maria San Filippo explores Leigh Brackett’s career as the screenwriter of “The Big Sleep,” “The Long Goodbye,” and “The Empire Strikes Back.”
Greta Rainbow chronicles her year though Glance Back, a net art piece coded by Maya Man.
Tara Anne Dalbow explores artist-poet Mina Loy’s thrilling embrace of contradiction.
Johanna Pelikan reviews “Lost Writings: Two Novels by Mina Loy,” edited by Karla Kelsey.
It’s that time again! Enjoy the Ins & Outs of 2024, as predicted by LARB social media savant Maya Chen.
Ryan Hamilton reviews Disney+/Hulu’s series about the Troubles in Northern Ireland, “Say Nothing.”
Ximena Prieto reviews Vanessa Holyoak’s “I See More Clearly in the Dark.”
Enzo Escober sits down with Filipina-American trans model and activist Geena Rocero, in a profile from the LARB Quarterly issue no. 43, “Fixation.”
Tom Zoellner considers Leah Payne’s “God Gave Rock and Roll to You: A History of Contemporary Christian Music.”
Maral Attar-Zadeh explores queerness, death, and desire in Luca Guadagnino’s adaptation of William S. Burroughs’s “Queer.”
A. J. Urquidi escapes from L.A. to uncover lovable Christmas goofery and holly-jolly IP infringements at Candy Cane Lane in Pacific Grove.
Manan Ahmed Asif considers Rollo Romig’s “I Am on the Hit List: A Journalist’s Murder and the Rise of Autocracy in India.”
Ann de Forest reviews Paul Kahan’s “Philadelphia: A Narrative History.”
In our last episode of the year, Kate Wolf speaks with the poet, playwright, and performance artist Ariana Reines about her latest book, “Wave of Blood.”