More and Scarier Monsters, Always
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
Michael Knapp reviews “The Voices of Adriana” by Elvira Navarro, translated by Christina MacSweeney.
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Jorrell Watkins.
Eric Newman and Medaya Ocher speak with writer Katie Kitamura about her recent novel, “Audition.”
Somebody is lying.
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Tamara Nassar.
Gideon Jacobs considers what Donald Trump and Elon Musk, as odd couple in chief, have in common.
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Laura Kolbe.
Godelieve de Bree considers Hasib Hourani’s “rock flight.”
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Daniel Halpern.
Matthew K. Ritchie considers Carson Lund’s “Eephus” and the feeling of being washed-up.
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Tracy Fuad.
While looking at three recent books, physician Luke Messac explains why the public has legitimate reasons to distrust our healthcare system.
The LARB Quarterly, issue no. 44, “Pressure,” presents a new poem by Ansel Elkins.
Susan McCabe explores ecopoetic resonances between Brenda Hillman’s “Three Talks,” Brandon Som’s “Tripas,” and Donald Revell’s “Canandaigua.”
Elizabeth Alsop considers the third season of “Yellowjackets.”