Memories That Await Like Land Mines
Danica Jenkins reviews Leo Vardiashvili’s debut novel “Hard by a Great Forest.”
Danica Jenkins reviews Leo Vardiashvili’s debut novel “Hard by a Great Forest.”
Michael Goodrum reviews Jeremy Dauber’s “American Scary: A History of Horror, from Salem to Stephen King and Beyond.”
Tim Riley considers Preston Lauterbach’s “Before Elvis: The African American Musicians Who Made the King.”
Jacob Babb reviews Alix E. Harrow’s “Starling House.”
Maureen Holloway considers Elizabeth Alsop’s “Elaine May.”
Claire Foster reviews Jacqueline Feldman’s book about Paris’s artistic squat scene, “Precarious Lease.”
Grace Byron reviews Sarah Chihaya’s “Bibliophobia.”
Henry Cowles describes how every choice he makes is now haunted by Sophia Rosenfeld’s “The Age of Choice: A History of Freedom in Modern Life.”
Arielle Gordon interviews Liz Pelly about her new book “Mood Machine” and Spotify’s impact on the music industry ecosystem.
LARB presents an excerpt by Wayne Koestenbaum from the anthology “Snapshots: An Album of Essay and Image,” edited by Dinah Lenney.
Jonathan Bolton thoughtfully reads Ursula K. Le Guin’s “The Dispossessed” within and against the grain of a half century of criticism.
Maria Cichosz explores new models of addiction and finds them unsatisfactory.
Torsa Ghosal reviews the latest entry in the Murty Classical Library of India series, the “greatest hits” anthology “Ten Indian Classics.”
Andre Pagliarini considers the recent biography “Lula” by Fernando Morais, translated by Brian Mier.
Kate Wolf and Medaya Ocher are joined by writer and poet Aria Aber to discuss her first novel, “Good Girl.”
L. A. Johnson interviews Eduardo Martínez-Leyva about his debut poetry collection, “Cowboy Park.”