Clambering for Metaphor
Jaye Chen reviews Steven Duong’s “At the End of the World There Is a Pond.”
Jaye Chen reviews Steven Duong’s “At the End of the World There Is a Pond.”
A. Cerisse Cohen reviews Christine Coulson’s “One Woman Show.”
Sesshu Foster reports from a mutual aid center in the aftermath of the Los Angeles wildfires.
Philip Ball finds Nicholas Carr’s “Superbloom: How Technologies of Connection Tear Us Apart” disturbingly compelling.
Anastasios Karnazes interviews Alan Gilbert about the new edition of his ongoing epic poem, “The Everyday Life of Design.”
Leah Abrams reviews Aria Aber’s debut novel “Good Girl.”
In this first of 12 monthly articles, LARB founder Tom Lutz reflects on the significance of the year 1925.
In this week’s episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump.
Dan Beachy-Quick reviews Joseph Donahue’s “Terra Lucida XIII–XXI.”
Annie Berke reviews Jenny Slate’s new motherhood meditation, “Lifeform.”
Sophia Stewart reviews Aaron Schimberg’s film “A Different Man.”
Nadia Ghent reviews “The Uncollected Stories of Mavis Gallant.”
Annie Lou Martin reviews Anna Moschovakis’s new novel “An Earthquake Is a Shaking of the Surface of the Earth.”
Julien Crockett speaks with Ted Chiang about the search for a perfect language, the state of AI, and the future direction of technology.
Julien Crockett looks back on the first year of the LARB series The Rules We Live By.
Siobhan Maria Carroll reviews The Best American Science Fiction and Fantasy 2024, edited by Hugh Howey.