A Last Resort
Cory Oldweiler considers German author Franziska Gänsler’s debut novel, “Eternal Summer,” newly translated by Imogen Taylor.
Cory Oldweiler considers German author Franziska Gänsler’s debut novel, “Eternal Summer,” newly translated by Imogen Taylor.
Kai Maristed reviews the new translation of Austro-German author Daniel Kehlmann’s 2023 novel “The Director,” translated by Ross Benjamin.
Oliver Wang interviews Euny Hong about her expanded edition of “The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture.”
Bathsheba Demuth reviews Ferris Jabr’s “Becoming Earth: How Our Planet Came to Life.”
Nathan Wainstein reexamines Naughty Dog’s 2020 game “The Last of Us Part II.”
James Chandler argues that claims of combating antisemitism are a bogus rationale for the Trump administration’s ongoing assault on universities, from 2017 to the present.
In this first of a two-part essay, Jonathan Blake considers recent books on the political rights of nonhuman beings.
Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, “The Fantasy and Necessity of Solidarity.”
Melina Moe considers Amanda Jones’s “That Librarian: The Fight Against Book Banning in America.”
Mary Kay Magistad investigates Connla Stokes’s “Falling for Saigon.”
In celebration of May Day, LARB probes the archives for illuminating essays and interviews on the history of workers, their rights, and the challenges they face for their futures.
Danielle Chelosky reviews Constance Debré’s “Name,” translated by Lauren Elkin.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
Tim Brinkhof considers the relevance of Stefan Zweig’s 1942 autobiography for our own authoritarian times.
Jackie Snow reflects on what working for a books-to-prisons nonprofit has taught her about reading.
Alix Ohlin revisits Kazuo Ishiguro’s novel “Never Let Me Go” on the occasion of its 20th anniversary.