Death in Her Hands: Talking to Ottessa Moshfegh
Talking to Ottessa Moshfegh about her new book, Death in Her Hands
Talking to Ottessa Moshfegh about her new book, Death in Her Hands
Gregory McNamee reviews Donovan Hohn’s set of discursive essays about the environment.
Keren Omry reviews “Sideways in Time: Critical Essays on Alternate History Fiction.”
Christoph Schneider reviews Clemena Antonova's "Visual Thought in Russian Religious Philosophy."
"Woolf’s novel was written as part of a broader intellectual quest, around a century ago, for the right words and metaphors to account for inner life..."
Meredith Maran talks to writer Jessica Pearce Rotondi about unresolved grief, hidden political histories, and her debut book, “What We Inherit.”
Andy Fitch talks with Ramya Krishnan about distinguishing speech from data and what constitutes protected speech in digital spaces.
Ellen Elias-Bursac, who lived in Yugoslavia in the 1970 and ’80s, examines three moments that capture the slipperiness of the feelings aroused by conflict.
A new biography of early cinema’s first family, the Costellos.
Is Trump breaking the liberal international order or were other forces already at work?
Seth Lerer rediscovers truth in Elias' Canetti's "Crowds and Power."
Shin Yu Pai talks to Kristen Millares Young about her new novel, “Subduction.”
A moving memoir from an insightful commentator on race and politics in America.
A riveting new book shows how the Civil War in the West was both strategically important and lacking in the moral contours of the broader war.
Rachel Barenbaum talks to Ivy Pochoda, author of the book “These Women.”
The work of Ukrainian poet Vasyl Stus, who spent over a decade in Soviet prisons, is newly relevant in our time of self-isolation.