The Empress
Oliver Wang interviews legendary Chinese American actress Lisa Lu about her 65-year film career.
Oliver Wang interviews legendary Chinese American actress Lisa Lu about her 65-year film career.
Matthew Longo examines Ed Pulford’s studies of culture and temporality within the China-Russia-Korea borderlands.
Kiese Laymon interviews Chi Rainer Bornfree and Ragini Tharoor Srinivasan about their epistolary pandemic memoir, “The End Doesn’t Happen All at Once.”
Bekah Waalkes reviews Turkish author Tezer Özlü’s novel “Journey to the Edge of Life,” translated by Maureen Freely.
Dive into a compulsively readable journey through philosophy, literature, and the antihero’s pursuit of self-improvement in the LARB Book Club Summer 2025 pick “Fresh, Green Life” by Sebastian Castillo.
Devin Thomas O’Shea pores over Andrew Hartman’s “Karl Marx in America.”
Caroline Tracey probes the experimental book-art of Mexican author Verónica Gerber Bicecci.
Agnes Borinsky appreciates all the ways Vivian Blaxell’s does transness in her book-length essay “Worthy of the Event.”
David Shipko explores climate denialism in speculative literature and culture.
David Louis Zuckerman explores crisis and awakening in Amalia Ulman’s film, “Magic Farm,” at the 2025 Los Angeles Festival of Movies.
Ryan Teitman dives into Rosalie Moffett’s new collection of poems, “Making a Living.”
From the perspective of her own experience as a neurologist, Pria Anand critically reads Michael Erard’s “Bye Bye I Love You: The Story of Our First and Last Words.”
Sarah Moorhouse explores Edward Wilson-Lee’s “The Grammar of Angels: A Search for the Magical Powers of Sublime Language.”
Eric Newman speaks with journalist and author Vauhini Vara about her new book “Searches: Selfhood in the Digital Age.”
Ed Simon considers the invitation from Ross Douthat to believe in a deity.
Benjamin Paul considers Mary Helen Callier’s debut poetry collection, “When the Horses.”