Matthew Heineman’s “The Boy from Medellín”
Filmmaker Matthew Heineman joins Eric Newman to talk about his latest documentary, “The Boy from Medellín,” which centers on reggaeton superstar J Balvin.
Filmmaker Matthew Heineman joins Eric Newman to talk about his latest documentary, “The Boy from Medellín,” which centers on reggaeton superstar J Balvin.
An assessment of the risk factor in human endeavors may be playing it too safe.
Sanjena Sathian’s new novel is a sharp satire of second-generation Indian American strivers.
Andy Fitch talks with William D. Nordhaus, laureate of the 2018 Nobel Prize in Economics and Professor at the Yale School of the Environment.
Lynne Sharon Schwartz reflects on meeting Natalia Ginzburg, maintaining a life-long relationship to her work, and reading “Family” and “Borghesia” in translation.
Daniel Felsenthal on the presumptions and missed opportunities of “Kink.”
A photo essay about skin color raises the right difficult questions.
An inquiry into a fierce culture war shines light on an insular sect of Judaism.
Haruki Murakami’s new collection of stories is an assortment of alluring, mysterious dreams.
Michael Osman reviews "Medium Design: Knowing How to Work on the World" by Keller Easterling.
Shobhana Xavier talks with Shenila Khoja-Moolji about Islamo-masculinity and the meaning of sovereignty.
Daniel Olivas asks Luis Alfaro four burning questions on his newly published trilogy of Greek plays.
Anandi Mishra on the economic toll that COVID-19 has had on India's women.
Kieran Setiya questions "The Great Guide: What David Hume Can Teach Us About Being Human and Living Well" by Julian Baggini.
Andy Fitch talks with Viktor Mayer-Schönberger about effectively outlining problems and strategizing solutions.
Firmin DeBrabander warns against the dangers of increasingly refined data analysis.