The Cult of Marie: A Conversation with Lauren Groff
Elizabeth DeWolf speaks with Lauren Groff about her latest novel, “Matrix.”
Elizabeth DeWolf speaks with Lauren Groff about her latest novel, “Matrix.”
A compelling new novel about a college theater troupe, a Faustian bargain, and italics.
Dana Gioia discusses how imagery operates in poetry.
Jack Mearns explores the life and work of John Sanford, an oft-neglected 20th-century American writer who wrote incisive novels addressing American society.
Hazem Fahmy considers “Villainy” by Andrea Abi-Karam.
Eleanor J. Bader speaks with Vicki Breitbart and Nan Bauer-Maglin on their upcoming book, “Tick Tock: Essays on Becoming a Parent After 40.”
Ed Simon reviews Netflix's The Chair and considers the academic obsession with fictional portrayals of the academy.
Madhu H. Kaza reflects on the death of unnamed Afghan girls and Alice Oswald’s book-length poem “Memorial.”
A review of Kathryn Paige Harden’s “The Genetic Lottery.”
Kleeman’s new novel is a eulogy, a ghost story, and an ode to the ways and forms of life destroyed by human appetites.
The author’s fourth novel reads as a veiled attempt to redress his past failures, particularly his abuses of power, in relationships.
Meredith Maran interviews Maggie Nelson on her new book, “On Freedom: Four Songs of Care and Constraint.”
Audrey Harris Fernández finds a platonic love letter in “Martita, I Remember You” by Sandra Cisneros.
Lennard Davis reviews “CODA” in the context of a recent cycle of films about Deafness and CODA (children of Deaf adults).
Martha Buskirk responds to Alex Weintraub’s review of her book "Is It Ours?: Art, Copyright, and Public Interest."