A Millennial’s Purgatory: On Joy Williams’s “Harrow”
The author’s first novel in 20 years is a bleak exploration of a barren eco-apocalypse.
The author’s first novel in 20 years is a bleak exploration of a barren eco-apocalypse.
Balzac’s great “Comédie humaine” offers a middle way between speculative fiction and autofiction.
A review of the literature on the hyperliterate jazz-rock ironists from 1970s L.A.
Kyle Harper and Monica H. Green exchange thoughts on Green’s review of Harper’s book, “Plagues Upon the Earth: Disease and the Course of Human History.”
Hunter S. Thompson wrote cannonball prose, and it led to the wreckage of a friendship.
Colin Marshall explores what goes into transforming into one's own murdered sibling in Kwon Yeo-sun's "Lemon."
Kate Tsurkan journeys through Margarita Gokun Silver’s “I Named My Dog Pushkin (And Other Immigrant Tales): Notes from a Soviet Girl on Becoming an American Woman.”
Laurie L. Levenson reviews Erwin Chemerinsky’s new book, “Presumed Guilty.”
By assimilating gameplay repetition into its story, “Deathloop” hints at resolving the dissonance between game form and narrative form.
Woody Haut works through “Michael Gold: The People’s Writer” by Patrick Chura and “Slow Vision” by Maxwell Bodenheim.
José Vadi to discuss his new collection, “Inter State: Essays from California.”
"The Death of Human Capital?" shows how to overcome the neoliberal capture and monetizing of education.
A biography of activist Fannie Lou Hamer compares her work to today’s activists.
A journey of self-discovery into the complexities and sufferings of a divided nation.
LARB presents the fourth entry in “Pasts Imperfect,” a column that explores the impact of ancient pasts on the present.