Lost Men, Found Women: Revisiting the New Hollywood
Nancy West engages in a feminist “anti-retrospective” of the cinema of 1972.
Nancy West engages in a feminist “anti-retrospective” of the cinema of 1972.
Carter’s book is a reminder that the quotidian can be both exciting and also key to understanding the lived reality of the past.
Rachel Barenbaum asks Jennifer Egan about her new novel, “The Candy House.”
In this sequel to “A Visit from the Goon Squad,” joy resides in the dirt and dust of the world.
Why Los Angeles’s special enforcement zones are a bad idea.
Meghan O’Rourke discusses her new book, “The Invisible Kingdom: Reimagining Chronic Illness.”
An oddly conceived but solidly researched study of 1960s and ’70s London.
Dan Turello remembers his Sunday school days, and considers Roberto Calasso’s “The Book of All Books,” his take on the Old Testament.
Angela Ajayi, the daughter of a Nigerian father and Ukrainian mother, reconnects with her Ukrainian identity as Russia invades.
Farah Abdessamad poignantly details the Tonle Sap Lake’s slow death in her review of Abby Seiff’s book on the subject.
Kohta Hirano’s “Hellsing” is a work at once too delightfully absurd to be believed and too believ-able to be absurd.
The author discusses her sharp, engaging new collection of essays, “The Window Seat: Notes from a Life in Motion.”
Tom Dalzell gets to the root of Deborah Warren’s “Strange to Say: Etymology as Serious Entertainment.”
The postmodernists had it right: all culture is the product of capitalism.
Jean-Thomas Tremblay reviews a recent anthology about Todd Haynes as feminist-queer filmmaker.