“There Is Freedom in Not Having a Script”: A Conversation with Uzma Aslam Khan
Aracelis Girmay speaks to Uzma Aslam Khan about her new novel, “The Miraculous True History of Nomi Ali.”
Aracelis Girmay speaks to Uzma Aslam Khan about her new novel, “The Miraculous True History of Nomi Ali.”
Katie Smith talks with Mesha Maren about the settings and authors that inspired the complicated border fatalism of “Perpetual West.”
Rebecca Altman appreciates Elena Conis’s new book, “How to Sell a Poison: The Rise, Fall, and Toxic Return of DDT.”
Ronald White considers “A House Built by Slaves: African American Visitors to the Lincoln White House” by Jonathan W. White.
Charlotte Hecht reviews the anthology “The Lonely Stories: 22 Celebrated Writers on the Joys & Struggles of Being Alone,” edited by Natalie Eve Garrett.
Crow Jonah Norlander asks Jordan Castro about his debut novel, “The Novelist.”
JoAnna Novak speaks to poet Colleen Louise Barry about the sublimity of color, the limits of the self, and her new collection, “Colleen.”
M. Delmonico Connolly considers the FBI file on 1960s icon Thomas Hayden.
Stephen Rohde reviews Robert Corn-Revere's "The Mind of the Censor and the Eye of the Beholder: The First Amendment and the Censor’s Dilemma."
Patrick Cottrell asks Caren Beilin about her new novel, “Revenge of the Scapegoat.”
Erik Morse provides three flashes of the late cinematic icon Monica Vitti.
Brad Evans talks with Samuel Moyn in the latest instalment of his series, “Histories of Violence.”
Richard Eldridge reviews Peter Neumann’s short and shallow history of Jena’s society of “free spirits.”
The aspirations of home ownership are fading for younger Americans, and they aren’t going to remain silent
Bernabé S. Mendoza reviews a collection of SF stories that includes work by Nnedi Okorafor, Nisi Shawl, and Victor LaValle.