The American Girl and the “Boy from Shobrakheit”: On Noor Naga’s “If an Egyptian Cannot Speak English”
Ian Ross Singleton turns his ear to “If an Egyptian Cannot Speak English,” a new novel by Noor Naga.
Ian Ross Singleton turns his ear to “If an Egyptian Cannot Speak English,” a new novel by Noor Naga.
Ximena Delgado finds much that is good in “Bad Mexicans: Race, Empire & Revolution in the Borderlands” by Kelly Lytle Hernández.
Matthew Clemente peels open a conversation with Kearney like the skin of a clementine.
Francesca Billington on the house that Ottessa Moshfegh built.
Ruby Hansen Murray connects with “A Calm and Normal Heart,” the debut story collection of Chelsea T. Hicks.
Ralph Hubbell reviews “A Strange Woman,” a novel by Turkish author Leylâ Erbil, translated by Nermin Menemencioğlu and Amy Marie Spangler.
Todd Cronan on Zadie Smith’s politics of compassion.
Vinícius Portella forges the historical and intellectual connection between Maya Deren’s cinema and her reading of Gregory Bateson’s concept of the “plateau.”
Avram Alpert asks for even more philosophical forks in reviewing Bret W. Davis’s book, “Zen Pathways.”
Justin Gautreau talks with Coco Reilly about her self-titled debut album.
Rishi Reddi explores Madhushree Ghosh’s treatment of food, language, immigration, and colonialism in “Khabaar.”
The Matrix's final lesson to me, in watching The Matrix Resurrections, is that I can no longer swallow its bitter pill.
Natasha Vhugen introduces the newest member of LARB's Reckless Reader program, El Taller Bookstore and Café in Lawrence, Massachusetts.
What happens when a prize piece of land in Istanbul is also connected to the Armenian community?
Nell Zink joins Eric Newman and Kate Wolf to talk about her latest novel, “Avalon.”