Widow’s Peak
Laura Mauldin explores long and intensive caregiving, the devastation of losing a partner, and the process of healing, in part through having and loving a child.
Laura Mauldin explores long and intensive caregiving, the devastation of losing a partner, and the process of healing, in part through having and loving a child.
Steven Shaviro reviews "Dark Scenes from Damaged Earth," a new academic collection of weird ecocriticism edited by Justin D. Edwards, Rune Graulund, and Johan Höglund.
Jacque Gorelick explores her grief upon her breast cancer diagnosis, her experience of her treatment program, and the fear that she will have fewer Thanksgivings with her children.
Glenn Harper reviews Dervla McTiernan’s “The Murder Rule,” a legal thriller about a law student’s complicated personal ties with a project that’s working to overturn a convicted murderer’s death sentence.
Pratinav Anil finds much to admire in Joseph Sassoon’s history of his own storied merchant family.
A panel at the 2022 LA Times Festival of Books addressed the past and future of Los Angeles’s Latinx neighborhoods.
Kate Wolf is joined by Elvia Wilk to discuss her new collection of essays, “Death by Landscape.”
Dennis Hogan considers Charlie Eaton’s “Bankers in the Ivory Tower”
Richard Wolin excavates the roots of the right-wing conspiracy theory that liberal elites are trying to “replace” white Americans with nonwhites.
Tim Riley reviews Elizabeth Wilson’s new biography “Playing with Fire: The Story of Maria Yudina, Pianist in Stalin’s Russia.”
Dan Sinykin reconsiders the career of Danielle Steel.
Randy Rosenthal reviews Sloane Crosley’s new novel “Cult Classic."
Mireille Juchau talks with Anwen Crawford about her new hybrid memoir “No Document.”
Victoria Chang and Dean Rader consider “Best Barbarian,” a collection of poems by Roger Reeves.
Pradeep Niroula lauds Alec Nevala-Lee’s new biography, "Inventor of the Future," which soberly fact-checks Buckminster Fuller’s legend.