A Power Built on Lies
Cory Oldweiler reviews Hungarian author Krisztina Tóth’s novel “Eye of the Monkey,” newly translated by Ottilie Mulzet.
Cory Oldweiler reviews Hungarian author Krisztina Tóth’s novel “Eye of the Monkey,” newly translated by Ottilie Mulzet.
I Give You Power features photography by Rulx Thork. Published by Little Big Man Books, I Give You Power features images taken between 2005 and 2018 across Brooklyn.
Tess Pollok interviews Jon Raymond about his new novel, “God and Sex.”
Shehryar Fazli considers Scott Anderson’s new account of the United States’ bungling in Iran, a mistake with lasting consequences.
Lara Fresko Madra explores Hande Sever’s recent installation at REDCAT in Los Angeles.
Sam Shpall ponders the enigma of Werner Herzog and his new book, “The Future of Truth.”
C. Francis Fisher interviews Shangyang Fang about his new book “Study of Sorrow: Translations.”
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Join LARB on December 19 for a festive, literary affair! We’ll be celebrating the holiday season and the launch of the LARB Quarterly, no. 47: Security with a night of readings from Agnes Borinsky, Jean Chen Ho, Maddie Connors, Hannah Liberman, Tess Pollok, Jeremy Ra, Xuan Juliana Wang, and Sarah Yanni.
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In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams—from iPhones to social media to AI—have become nightmares.
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Brendan Boyle writes on the voyages beyond in “Contact” (1997) and “Alambrista!” (1977), in the newest installment of Double Feature, from the LARB Quarterly no. 46: “Alien.”
Vanessa Holyoak explores memory and loss after the L.A. fires, in an essay from LARB Quarterly no. 46: “Alien.”
Ariel Dorfman revisits acts of brutality in the 1970s and John Dinges’s investigation of who is to blame.
Iris Kim talks to Jaquira Díaz about her new novel, “This Is the Only Kingdom.”
Leah Litman prosecutes Justice Amy Coney Barrett’s new legal memoir, “Listening to the Law: Reflections on the Court and Constitution.”
Yvonne Kim invests in “The New Economy,” the latest poetry collection from Gabrielle Calvocoressi.
Tom LeClair clop-clops through Mark Z. Danielewski’s new novel “Tom’s Crossing.”
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Rachele Dini discusses OpenAI’s “A Machine-Shaped Hand” and an academic sector in crisis.
Emmet Fraizer considers Adam Szetela’s “That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.”
Brandon Taylor talks about his latest novel “Minor Black Figures” on LARB Radio Hour. The book, out now, centers on Wyeth, a Black artist in his thirties wrestling with sudden viral fame.
Jacob Stern reviews Richard Linklater’s two latest films, “Nouvelle Vague” and “Blue Moon,” as twin hangout movies.
Gideon Leek reviews Joy Williams’s latest story collection, “The Pelican Child.”
Sara Kozameh offers a rigorous analysis of cultural production during the Cuban Revolution in conversation with Jennifer L. Lambe’s book “The Subject of Revolution: Between Political and Popular Culture in Cuba.”
Pasquale Toscano considers Rob Macaisa Colgate’s debut poetry collection, “Hardly Creatures.”
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What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
Aniko Bodroghkozy considers recent books on the 2017 Charlottesville attack as a watershed moment in contemporary neo-Nazism.
Rob Arcand reviews Hito Steyerl’s new essay collection, “Medium Hot: Images in the Age of Heat.”
Matthew Cobb reports from the Spirit of Asilomar, an event celebrating the 50th anniversary of the legendary biotechnology conference.
Shaan Sachdev explores Pankaj Mishra’s “The World After Gaza: A History,” moral authority, and a generation of young dissenters.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Karoline Huber discusses the phenomenon of “de-extinction” in SF and popular culture.
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Dashiel Carrera considers Han Kang, sleep, and the Velvet Underground.
Cory Bradshaw describes the art and agony involved in making amateur porn in an essay for LARB Quarterly no. 45: “Submission.”
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, “The Fantasy and Necessity of Solidarity.”
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams—from iPhones to social media to AI—have become nightmares.
Filmmaker Kelly Reichardt talks to Kate Wolf and Medaya Ocher about her new movie, “The Mastermind,” out in theaters now.
Medaya Ocher and Eric Newman speak with writer Grace Byron about her debut novel, “Herculine.”
We’re over the moon to announce the LARB Quarterly, no. 46: Alien, featuring meditations, essays, fiction, poetry, and more from LARB contributors new and known.
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