Taiwan, Hong Kong, Columbia
Chris Horton’s ‘Ghost Nation’ and Ching Kwan Lee’s ‘Forever Hong Kong’ follow protesters and revolutionaries who, successfully or otherwise, challenged the power of the state.
Chris Horton’s ‘Ghost Nation’ and Ching Kwan Lee’s ‘Forever Hong Kong’ follow protesters and revolutionaries who, successfully or otherwise, challenged the power of the state.
Microinternational is a comprehensive monograph of a performance project of a group of artists (Microinternational) in Los Angeles during the 1990s. The catalogue is published by 2nd Cannons Publications.
Devon Walker-Figueroa discusses eros, eternity, and her new collection ‘Lazarus Species’ with LARB’s poetry editor Elizabeth Metzger.
On Urszula Honek’s bleak debut story collection, the Booker long-listed ‘White Nights,’ newly translated by Kate Webster.
Guillermo del Toro’s ‘Frankenstein’ reduces Mary Shelley’s novel to a one-dimensional warning about technological hubris.
Terry Eagleton’s recent book employs his trademark witty style in an attempt to say something new about the era that birthed modernism.
In the 12th essay of the Legacies of Eugenics series, three researchers describe how eugenic ideas linger in the institutions and practices of contemporary healthcare.
As a celebration of our 15th anniversary, our next LARB Quarterly issue will be printed in four editions, each with distinct cover art. Become a member today to choose your cover!
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Losing home and rebuilding, reluctantly, in the year after Los Angeles’s Eaton Fire.
Rhys Langston reports from Los Angeles.
‘Silk & Sinew: A Collection of Folk Horror from the Asian Diaspora,’ a new anthology edited by Kristy Park Kulski, uses storytelling to demonstrate why ‘the ghosts of our futures cannot just be entities that lurk in the background.’
In ‘Monk Fruit,’ Edward Salem’s poetry presents ‘a wild ride of touchpoints’ that serve together as a ‘gastric lavage’ for the trauma-fatigued reader.
Kristin Ross talks about her book, The Politics and Poetics of Everyday Life, and political transformation and cultural representation in an archive episode.
Oedipal iterations, from Sophocles to Arundhati Roy.
What was lost when Claire Douglas’s archive burned.
New books by Dan Wang and Hu Anyan depict ‘both the achievements and the costs of China’s technological rise,’ and why Americans should take note.
Tracing the California lineage of Charles Bukowski’s publisher, Black Sparrow Press, and its passionate founder, John Martin.
Josh Safdie’s “Marty Supreme” and the mythmaking around a monoculture masterpiece.
The protagonist of Antônio Xerxenesky’s novel ‘An Infinite Sadness,’ newly translated by Daniel Hahn, searches for ‘something beyond psychological solutions’ at a sanatorium in the Swiss Alps.
Camille Bordas discusses her new story collection, her writing process, and why anxiety fuels her as a person and a writer.
Pantone’s 2026 Color of the Year is selling us a white fantasy.
Neurologist Pria Anand lauds Khameer Kidia’s new dissection of Western psychiatric imperialism.
Tom Lutz’s new novel ‘Chagos Archipelago’ finds unexpected heart in the adventures of geopolitical operatives and globe-trotting fuckups.
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What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
The third installment of ‘The Biden Years On-Screen’ considers the cinematic fallout of cancel culture, the overruling of Roe v. Wade, and the 2022 midterm elections.
On America’s runaway Story Drive.
Neil Shubin’s stories of polar exploration tell us about the losses ahead.
Bill McKibben makes the case for combating the climate crisis by transitioning from fossil fuels to solar power.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Radu Jude’s ‘Dracula’ shines sunlight on the vampirism of cinematic AI and the ways studios have bled the vampire IP dry.
Eric Gudas on the work and afterlife of the misunderstood photographer Diane Arbus.
Harley Wong on fashion designer Dilara Findikoglu’s ‘Cage of Innocence’ presentation in light of Edith Wharton’s fiction.
Jake Flanagin examines how reality TV juggernaut Bravo and its ‘Real Housewives’ spin criminality into character development—and ratings gold.
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
Lauren Rothery talks about her new novel "Television," the current state of Hollywood, and why she thinks television is a good metaphor for romance.
Susan Orlean joins the podcast to talk about her new book 'Joyride: A Memoir,' her literary career, and the state of journalism today
We revisit our episode with photographer and writer Sally Mann about her book, "Art Work: On the Creative Life."
Brace yourself, new essays, fiction, poetry, art, and comics are here. Hunker down with the LARB Quarterly no 47: Security, exploring vulnerability, loss, and refuge.
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