The Robinsonade in the Age of Reality TV
Drew Basile reads the new English reissue of French author Michel Tournier’s novel “Friday.”
Drew Basile reads the new English reissue of French author Michel Tournier’s novel “Friday.”
Hard Handshake is the first major exhibition in Los Angeles dedicated to Lee Lozano. The exhibition, showing at Hauser & Wirth in Downtown Los Angeles, brings together over one hundred drawings by the Lozano.
Emy Manini faces Alma Katsu’s demons while reading her newest novel, “Fiend.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Alma Katsu and Sadie Hartmann discuss women who write horror fiction.
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Calvin Gimpelevich writes on the history and politics of public bathrooms, in this essay from LARB Quarterly no. 47, “Security.”
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On January 24, 2026, acclaimed journalist and author Susan Orlean will be joined in conversation by music critic and fellow writer Alex Ross at the historic Thomas Mann House. Tickets will be on sale soon; exclusive early access is available to donors of $1,000+ to LARB’s year-end fund drive.
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Hunker down with all-new essays, fiction, poetry, comics, and art in the latest issue of the LARB Quarterly, no. 47: Security.
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Hannah Smart writes about her attempt to diagram a 900-word sentence in David Foster Wallace’s “Mister Squishy,” and what the efforts taught her about human inertia and meaningless language.
Nevin Kallepalli investigates political resentment in rural California, in an essay from LARB Quarterly no. 47: “Security.”
Alix Christie considers Susan Straight’s challenging yet crucial portraits of an “overlooked” California.
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
Tess Pollok interviews Lauren O’Neill-Butler about her new essay collection, “The War of Art: A History of Artists’ Protest in America.”
Tim Brinkhof considers Joe Wright’s new Mussolini miniseries as a flawed representation of the rise of fascism in Italy.
Sascha Cohen talks with Molly Lambert about her new podcast “JennaWorld: Jenna Jameson, Vivid Video, & the Valley.”
Dave Mandl catches a whiff of Cory Doctorow’s anatomy of platform “enshittification.”
Janet Sarbanes encounters Nancy Buchanan’s career retrospective at the Brick in Los Angeles.
Erik J. Larson considers “The AI Con: How to Fight Big Tech’s Hype and Create the Future We Want” by Emily M. Bender and Alex Hanna.
Historian Paul Finkelman praises Brad Snyder’s new account of a wrongfully convicted civil rights hero.
Nada Alic speaks with Halle Butler about social satire, writing humor, and her newest novel, “Banal Nightmare.”
Sumaiya Aftab Ahmed considers “38 Londres Street: On Impunity, Pinochet in England, and a Nazi in Patagonia,” the newest book from Philippe Sands.
Julia Loktev joins the podcast to talk about her new documentary "My Undesirable Friends," following a team of journalists in Russia right before the invasion of Ukraine.
Aaron Boehmer writes about community libraries and the importance of accessible archival and literary resources in these times.
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Support LARB and our mission to sustain independent and paywall-free writing on literature, culture, and the arts. All gifts we receive between now and December 31 will be matched up to $100K by an anonymous donor. Please support LARB by becoming a member or donating today.
What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
Leah Litman prosecutes Justice Amy Coney Barrett’s new legal memoir, “Listening to the Law: Reflections on the Court and Constitution.”
Alexandre Lefebvre reads “Furious Minds: The Making of the MAGA New Right” by Laura K. Field.
Zoe Adams considers “There Is No Place for Us: Working and Homeless in America” by Brian Goldstone.
Randy M. Browne considers Keisha N. Blain’s new book, which finds that Black women, historically, haven’t simply argued for racial justice at home; they have, in fact, fought for and won human rights for everyone worldwide.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Lara Fresko Madra explores Hande Sever’s recent installation at REDCAT in Los Angeles.
Jacob Stern reviews Richard Linklater’s two latest films, “Nouvelle Vague” and “Blue Moon,” as twin hangout movies.
Cory Oldweiler reviews the new translation of Danish author Solvej Balle’s “On the Calculation of Volume (Book III).”
Helena Aeberli traces Ellen Huet’s investigations in “Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult.”
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, “The Fantasy and Necessity of Solidarity.”
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams—from iPhones to social media to AI—have become nightmares.
Filmmaker Kelly Reichardt talks to Kate Wolf and Medaya Ocher about her new movie, “The Mastermind,” out in theaters now.
Medaya Ocher and Eric Newman speak with writer Grace Byron about her debut novel, “Herculine.”
We’re over the moon to announce the LARB Quarterly, no. 46: Alien, featuring meditations, essays, fiction, poetry, and more from LARB contributors new and known.
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