Spoiler Alert: Your Art Should Be Ruined
Does worrying about spoilers detract from enjoyment more than the spoilers themselves?
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Does worrying about spoilers detract from enjoyment more than the spoilers themselves?
Noah BerlatskyNov 8, 2014
Our current unreality, as seen in “The Leftovers” and “Black Mirror.”
Mitchell KriegmanNov 3, 2014
A critical autopsy of Law & Order, CSI, The Following, Hannibal
Eric ThurmOct 30, 2014
The key to understanding David Lynch’s Twin Peaks can be found in his early work as a visual artist, all of which is on display in his current retrospective “David Lynch: The Unified Field.”
Jonathan P. EburneOct 8, 2014
Contributor Kaya Genç examines actor David Suchet's role as Agatha Christie’s Hercule Poirot.
Kaya GençOct 5, 2014
On Dan Harmon and Justin Roiland’s 'Rick and Morty'
Annie Julia WymanOct 5, 2014
The true reasons for TV’s emergence as the preeminent mass medium of the early 21st century are primarily external to the actual business of creating televised narrative; none of them have anything to do with anyone’s personal greatness.
Javier Grillo-MarxuachSep 24, 2014
The distressingly human lives of vampires today
Becca RothfeldSep 19, 2014
On 'The Good Wife'
Briana FasoneSep 18, 2014
Linda Williams argues that the strength of "The Wire" lies not in its commitment to Dickensian narrative or Greek tragedy, but its melodrama.
Noah BerlatskyAug 18, 2014
Get Lost: Why You Should Be Watching 'The Leftovers'
Phillip MaciakAug 8, 2014
Rachel EdelmanJul 21, 2014