Getting Fooled Again: Rereading Agatha Christie’s “The Murder of Roger Ackroyd” in the Age of Trump
Christie’s classic whodunit is a brilliant parlor trick of deception and misplaced empathy.
Noah Berlatsky is a freelance writer based in Chicago. He is the author of Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941–1948, from Rutgers University Press.
Christie’s classic whodunit is a brilliant parlor trick of deception and misplaced empathy.
Noah Berlatsky reviews Obery M. Hendricks Jr.’s “Christians Against Christianity.”
How "The Turner Diaries" resembles classics of SF past.
Discussions of films, or books, or comics seem to inevitably turn into discussions about accreditation.
"Christopher Holmes himself, that detective who is not the detective you expect, is out of the closet — and yet still often in its shadow, both...
Does worrying about spoilers detract from enjoyment more than the spoilers themselves?
Linda Williams argues that the strength of "The Wire" lies not in its commitment to Dickensian narrative or Greek tragedy, but its melodrama.