Breaking and Remaking the Trans Memoir: On Cecilia Gentili’s “Faltas”
Hugh Ryan reviews Cecilia Gentili’s searing new memoir, “Faltas: Letters to Everyone in My Hometown Who Isn’t My Rapist.”
"The older one grows, the more one likes indecency." — Virginia Woolf
Hugh Ryan reviews Cecilia Gentili’s searing new memoir, “Faltas: Letters to Everyone in My Hometown Who Isn’t My Rapist.”
Hugh RyanDec 15, 2022
Natasia Pelowski speaks with Emi Nietfeld about her new memoir, “Acceptance.”
Natasia PelowskiDec 13, 2022
Benjamin Shull reviews a new edition of E. E. Cummings’s “The Enormous Room.”
Benjamin ShullDec 12, 2022
Anjali Enjeti talks with Kavita Das about her new essay collection, “Craft and Conscience: How to Write About Social Issues.”
Anjali EnjetiDec 12, 2022
Gracie Hadland reviews Constance Debré’s “Love Me Tender.”
Gracie HadlandDec 8, 2022
Lee Thomas takes a look at Lauren Haldeman’s experimental graphic novel “Team Photograph.”
Lee ThomasDec 7, 2022
Timothy Larsen reviews A. N. Wilson’s “Confessions: A Life of Failed Promises.”
Timothy LarsenDec 4, 2022
Michael Wolfe appreciates his slice of Los Angeles.
Michael WolfeDec 4, 2022
Matthew Stadler recalls his friend James Purdy via Michael Snyder’s new biography of the novelist, playwright, and poet, “James Purdy: Life of a Contrarian Writer.”
Matthew StadlerDec 3, 2022
Mariam Gomaa reflects on the intertwining characteristics of health, surgery, religion, and philosophy.
Mariam GomaaNov 27, 2022
Sunil Iyengar reviews Rachel Hadas’s recent collections of poems, “Love and Dread” and “Pandemic Almanac,” alongside “Piece By Piece: Selected Prose.”
Sunil IyengarNov 25, 2022
Jamie Hood reviews Joanna Walsh’s memoir-critical hybrid, “My Life as a Godard Movie.”
Jamie HoodNov 24, 2022