Gossip as a Literary Genre, or Gossip as “L’Écriture feminine”?
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech in an essay from the LARB Quarterly issue no. 42, “Gossip.”
"Writing only leads to more writing." — Colette
Francesca Peacock roots through the archives for a deeper understanding of scandal and speech in an essay from the LARB Quarterly issue no. 42, “Gossip.”
Francesca PeacockAug 13, 2024
Daniel Blank reviews James Shapiro’s “The Playbook: A Story of Theater, Democracy, and the Making of a Culture War.”
Daniel BlankJul 22, 2024
Marissa Grunes reviews Renée Bergland’s “Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science.”
Marissa GrunesJul 21, 2024
Yelena Furman reviews Karolina Krasuska’s “Soviet-Born: The Afterlives of Migration in Jewish American Fiction.”
Yelena FurmanJul 15, 2024
In an excerpt from LARB Quarterly no. 41, “Truth,” Cynthia Cruz seeks truth in melancholia, Hegel, and capitalist civilization’s possible futures.
Cynthia CruzJul 8, 2024
Harry Waksberg reviews a new book about a German television series about the Holocaust, written by Magdalena Saryusz-Wolska.
Harry WaksbergJun 7, 2024
Conor Williams reviews a new biography of Dorothy Dean, edited by Anaïs Ngbanzo.
Conor WilliamsJun 2, 2024
Cinque Henderson writes a personal tribute for Helen Vendler.
Cinque HendersonMay 29, 2024
Kristen Malone Poli examines the true hunger at the heart of the divorce plot.
Kristen Malone PoliMay 9, 2024
Jessica Rizzo reviews David Bellos and Alexandre Montagu’s “Who Owns This Sentence? A History of Copyrights and Wrongs.”
Jessica RizzoMay 4, 2024
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”
Ian EllisonApr 27, 2024
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Bob BlaisdellApr 17, 2024