A Transatlantic Metamorphosis: On Brian K. Goodman’s “The Nonconformists”
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”
"Writing only leads to more writing." — Colette
Ian Ellison reviews Brian K. Goodman’s “The Nonconformists: American and Czech Writers Across the Iron Curtain.”
Ian EllisonApr 27, 2024
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Bob BlaisdellApr 17, 2024
Sarah Moorhouse reviews Adam Phillips’s “On Giving Up.”
Sarah MoorhouseMar 26, 2024
Christopher Newfield reviews Bruce Robbins’s “Criticism and Politics: A Polemical Introduction.”
Christopher NewfieldMar 24, 2024
David Shipko reviews Veer Books’ new anthology “Corroding the Now: Poetry + Science/SF.”
David ShipkoMar 22, 2024
Ian Ellison reviews Katja Haustein’s “Alone with Others: An Essay on Tact in Five Modernist Encounters.”
Ian EllisonMar 20, 2024
T. M. Brown reviews Tricia Romano’s “The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture.”
T. M. BrownMar 15, 2024
Chris Molnar considers what it's like to be a writer today.
Chris MolnarMar 15, 2024
Eskor David Johnson reviews Cord Jefferson’s film “American Fiction.”
Eskor David JohnsonMar 9, 2024
Andrew Koenig reviews Alexander Manshel’s “Writing Backwards: Historical Fiction and the Reshaping of the American Canon.”
Andrew KoenigFeb 28, 2024
Caryl Emerson reviews Jacob Emery’s “The Vortex That Unites Us: Versions of Totality in Russian Literature.”
Caryl EmersonFeb 19, 2024
Tia Glista interviews Lauren Elkin about her new book “Art Monsters: Unruly Bodies in Feminist Art.”
Tia GlistaFeb 10, 2024