:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201810FelsenthalCooper.png)
The Devils of Our Better Nature: On Dennis Cooper and His New Film
“Permanent Green Light” is the demonic author’s most innocent work.
Film
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Eugenic Thinking Today
There is more ongoing tension around disability rights and its intersection with the rights of women and the poor than “Intelligent Lives” lets on.
Going for Gold: The Work and Career of Brian Jordan Alvarez
Jonathan Alexander looks at the work and future of DIY internet media impresario Brian Jordan Alvarez as he looks to transition to the big screen.
It’s Our Time: The Women of Wakanda
“Black Panther” is not only about projecting African diaspora people and cultures into the future; it’s also about recovering the past.
Claude Lanzmann’s Ghosts
On the monumental challenge of remembering the dead.
“AmeriGeddon,” or, The Call is Coming from Inside the House of Representatives
How a 2016 Z-grade right-wing film from the founder of the Curves exercise chain proved prophetic.
More Than Sex: The Queerness of “Falling for Angels” and “Vida”
Will Clark on what critics like D.A. Miller and Tom Joudrey are missing in their critique of contemporary gay representation in film and television.
Anxious Pedigree: From Fresh-Off-The-Boat to “Crazy Rich Asians”
With "Crazy Rich Asians," we remain in danger of what Toni Morrison calls “adjustment without improvement” in the American racial optic.
“No Films Are Ever Made”: A Correspondence with Paul Bowles
Tom Christie presents his four-year correspondence with Paul Bowles.
Yuri Tynianov’s “Film — Word — Music” (1924)
Vera Koshkina and Ainsley Morse present “Film — Word — Music,” a 1924 essay on film by the great Formalist theorist Yuri Tynianov.
Betty Davis, Grace Jones, and the Art of Anti-Confessional Cinema
Daphne Brooks on "Betty: They Say I'm Different" and "Grace Jones: Bloodlight and Bami."
Caring for Capitalism
"The Bleeding Edge" is a contemporary portrait of how a misguided quest for innovation is eroding the forms of connection that make us human.
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201808ClarkGayMovies.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201808ChristieBowles.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201808TynianovFilm2.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201807BrooksJones.png)
:quality(75)/https%3A%2F%2Fassets.lareviewofbooks.org%2Fuploads%2F201807RadinBleedingEdge.png)