Dancing Between Worlds: An Interview with Saul Williams
On Saul Williams’s blended family; his love for Ntozake Shange; and his latest project, Neptune Frost, the graphic novel and its musical.
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
On Saul Williams’s blended family; his love for Ntozake Shange; and his latest project, Neptune Frost, the graphic novel and its musical.
DJ Lynnée DeniseMar 5, 2019
Krithika Varagur looks at two recent women-centric Westerns and attest to the quintessentially American genre’s enduring vitality abroad.
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Far from being a “trifle,” "Hail, Caesar!" is thematically profound, a heartfelt and rueful tribute to the craft of filmmaking.
Jeet HeerFeb 21, 2019
An interview with Astra Taylor about her new movie, "What Is Democracy?"
Thea RiofrancosFeb 15, 2019
A new Netflix film explores fat-shaming and body positivity.
Sadie Shorr-ParksFeb 3, 2019
“Two Catalonias” makes no mention of the Spanish Civil War, an elision that is representative of Spain’s refusal to contend with the war’s lasting effects.
Brandon TruettJan 11, 2019
"Roma" is a movie made to appease the ruling class: fawning in its praise of power, it dead-ends at an image that literally deifies servitude.
Scout TafoyaJan 8, 2019
"Mack the Knife — Brecht’s Threepenny Film" is part-biopic, part-homage, part-metacinematic staging of a film that shouldn’t actually exist — but now does.
Luisa RollenhagenJan 4, 2019
Michael Donaldson evaluates Corey Field's "Entertainment Law: Fundamentals and Practice."
Michael C. DonaldsonJan 1, 2019
"The Favourite" reminds us that the court isn't a primitive version of modern political power but an altogether different institution.
David MarnoDec 28, 2018
A major independent filmmaker on the challenges of adaptation and the power of grief.
Kathleen B. JonesDec 25, 2018
"Cold War" places its bets on the capacity of a small but carefully told story to embody historical tensions and tragedies much broader than itself.
Marta FiglerowiczDec 21, 2018