The Great Distraction: On Aaron Sorkin’s “Trial of the Chicago 7”
J. Hoberman passes judgment on “The Trial of the Chicago 7,” directed by Aaron Sorkin.
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
J. Hoberman passes judgment on “The Trial of the Chicago 7,” directed by Aaron Sorkin.
J. HobermanOct 31, 2020
Annie Berke writes about how two recent Netflix original films thematize loneliness and our romance with screens under quarantine.
Annie BerkeOct 23, 2020
Chelsea Davis puts three films from 2000 in context with the institutionalized support of white, male rage and “aggrieved entitlement.”
Chelsea DavisOct 14, 2020
Jerrine Tan on how we read “Three Billboards Outside Ebbing, Missouri” in the present context of Black Lives Matter protests.
Jerrine TanOct 10, 2020
LARB presents an excerpt from Ken Kwapis’s “But What I Really Want to Do Is Direct: Lessons from a Life Behind the Camera.”
Ken KwapisOct 5, 2020
A republication of Philippe Garnier’s 1996 book on screenwriters in 1930s Hollywood.
Woody HautOct 4, 2020
The ending of “Mulan” reassures us that she goes on to become a “legend”; yet, are not such honorifics precisely society’s reward for one’s compliance?
Anne Anlin ChengOct 3, 2020
Alex Harvey delves into “The Brothers Mankiewicz” by Sydney Ladensohn Stern.
Alex HarveySep 27, 2020
Erik Morse interviews Iranian American actress and performance artist Sheila Vand.
Erik MorseSep 25, 2020
Kathleen Jones on two recent biographies of midcentury women of noir: producer Joan Harrison and actress Veronica Lake.
Kathleen B. JonesSep 14, 2020
Beatrice Loayza writes time-loop rom-com “Palm Springs” as millennial manifesto.
Beatrice LoayzaSep 12, 2020
The new documentary “Meat the Future” presents the case for cultured meat in terms that are almost naïve.
Benjamin Aldes WurgaftAug 31, 2020