Where Did You Go, Eileen? On Ottessa Moshfegh and William Oldroyd’s Adaptation
Brianna Di Monda reviews William Oldroyd’s cinematic adaptation of Ottessa Moshfegh’s novel “Eileen.”
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Brianna Di Monda reviews William Oldroyd’s cinematic adaptation of Ottessa Moshfegh’s novel “Eileen.”
Brianna Di MondaFeb 9, 2024
Sean T. Collins explores a quartet of sleazy, sensual, sensational shows from 2023 that dared to go beyond prestige-TV dramedy realism.
Sean T. CollinsFeb 8, 2024
Eliana Rozinov revisits Jane Campion's “A Girl’s Own Story” and “The Piano” on the 30th anniversary of the latter film.
Eliana RozinovJan 27, 2024
Adam Sobsey reviews “Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials,” a collection from the works of novelist and essayist W. G. Sebald.
Adam SobseyJan 24, 2024
Yael Friedman speaks with Wim Wenders and provides a review of his work with sculptor Anselm Kiefer in the wake of Wenders’s new documentary, “Anselm.”
Yael FriedmanJan 24, 2024
Isabella Trimboli reviews a new translation of Marguerite Duras’s work on cinema.
Isabella TrimboliJan 21, 2024
Lori Marso looks at “Priscilla” within Sofia Coppola’s white girl oeuvre.
Lori MarsoJan 20, 2024
Marcus Lee looks at the new Netflix biopic of Bayard Rustin in the context of his reception and iconography.
Marcus LeeJan 5, 2024
Enzo Escober reviews Beyoncé’s new concert movie, "Renaissance."
Enzo EscoberJan 4, 2024
Tim Riley reviews “Maestro” and puts Bradley Cooper’s account against the real-life biography of Leonard Bernstein.
Tim RileyDec 28, 2023
Brandon Tensley revisits “Sister Act 2: Back in the Habit” as an underrated entry in the hood drama genre.
Brandon TensleyDec 14, 2023
Jordan S. Carroll reviews Anthony Galluzzo’s “Against the Vortex: ‘Zardoz’ and Degrowth Utopias in the Seventies and Today.”
Jordan S. CarrollDec 8, 2023